Items Similar to Man and Sea - Vintage exhibition poster - 1972
Want more images or videos?
Request additional images or videos from the seller
1 of 8
(after) Salvador DaliMan and Sea - Vintage exhibition poster - 19721972
1972
About the Item
Salvador Dali (after)
Man and Sea
Exhibition poster printed in offset, with some color in lithograph and metallic ink
Signature printed in the plate
119 x 84 cm (c. 48 x 34 inch)
Edited in 1972 for the cultural events organized during The Munich Olympic Games.
Excellent condition, light defects at the edge of the plate
- Creator:(after) Salvador Dali (1904 - 1989, Spanish)
- Creation Year:1972
- Dimensions:Height: 46.86 in (119 cm)Width: 33.08 in (84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU46436199672
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2010
1stDibs seller since 2016
3,243 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Paris, France
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Circus - 25 illustrated books - Vintage poster - 1982By Marc ChagallLocated in Paris, FRAfter Marc CHAGALL Circus Offset vintage poster, 1982 On heavy paper 66 x 46 cm / 26 x 18" INFORMATION : Vintage poster for the exhibition "25 livres illustres" at Patrick Cramer Ga...Category
1980s Surrealist Figurative Prints
MaterialsOffset
- Ardennes, Dream in a Suitcase - Offset art printBy Jean Michel FolonLocated in Paris, FRJean Michel FOLON Ardennes, Dream in a Suitcase Offset art print Signature printed in the plate on paper 56 x 75 cm (c. 22 x 30 inch) Excellent conditionCategory
1970s Surrealist Figurative Prints
MaterialsOffset
- Sol y Dali - Rare Vintage Lithograph Poster - Mourlot 1967 (Field #67-1)By (after) Salvador DaliLocated in Paris, FRSalvador Dali Sol y Dali Vintage lithographic poster (Mourlot workshop) Printed signature in the plate Edited in 1967 by Jean Schneider On paper 78 x 54 cm...Category
1960s Surrealist Figurative Prints
MaterialsLithograph
- Indiscrete Jewels (Les Bijoux Indiscrets) - Original lithograph [Catalog #3]By René MagritteLocated in Paris, FRRené MAGRITTE Les bijoux indiscrets (Indiscrete jewels), 1975 Original lithograph (Printed in Mourlot Workshop) Printed signature in the plate Unnumbered as usual (limited edition o...Category
1970s Surrealist Figurative Prints
MaterialsLithograph
- Vitraux - Complete Set of 24 Lithographs Hand Signed & /250 in Case (Field 74-5)By Salvador DalíLocated in Paris, FRSalvador DALI Les Vitraux, 1974 Complete set of 24 original lithographs All hand signed in pencil Numbered /250 copies, with matching numbers Each lithogr...Category
1970s Surrealist Figurative Prints
MaterialsLithograph
- Olympia, Laurel Wreath - Lithograph (Olympic Games Munich 1972)By Paul WunderlichLocated in Paris, FRPaul WUNDERLICH Olympia, Laurel Wreath Lithograph Signature printed in the plate On heavy paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent c...Category
1970s Surrealist Figurative Prints
MaterialsLithograph
You May Also Like
- French Abstract Surrealist Color Lithograph Andre MassonBy André MassonLocated in Surfside, FLPublished Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...Category
20th Century Surrealist Abstract Prints
MaterialsLithograph, Offset
- 1970s Modernist Swiss Colorful Surrealism Signed Dada Lithograph Andre ThomkinsBy André ThomkinsLocated in Surfside, FLThis one is titled "Walk in a Broken Lake" and depicts a surreal figure of a robed woman walking in an abstract landscape in yellow, green, red and blue with a Salvador Dali esque quality about it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...Category
1970s Surrealist Figurative Prints
MaterialsLithograph, Offset
- 1970s Modernist Swiss Colorful Surrealism Signed Dada Lithograph Andre ThomkinsBy André ThomkinsLocated in Surfside, FLThis one is titled "Halemaid" and depicts a surreal figure of a robed woman in yellow red and blue with a Salvador Dali esque quality about it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...Category
1970s Surrealist Figurative Prints
MaterialsLithograph, Offset
- 2 part invitation forming a 3-D Dodecahedron Hand signed by Mark Ryden at KasminBy Mark RydenLocated in New York, NYMark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...Category
2010s Surrealist Figurative Prints
MaterialsLithograph, Offset, Permanent Marker
- French Abstract Surrealist Color Lithograph Andre MassonBy André MassonLocated in Surfside, FLPublished Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing plate. Size is of the full sheet. André-Aimé-René Masson (4 January 1896 – 28 October 1987) was a French artist. Masson was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels. He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson would often force himself to work under strict conditions, for example, after long periods of time without food or sleep, or under the influence of drugs. He believed forcing himself into a reduced state of consciousness would help his art be free from rational control, and hence get closer to the workings of his subconscious mind. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miro, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. From around 1926 he experimented by throwing sand and glue onto canvas and making oil paintings based around the shapes that formed. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War (he associated once more with the surrealists at the end of the 1930s). Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island of Martinique from where he went on to the United States. Upon arrival in New York City, U.S. customs officials inspecting Masson's luggage found a cache of his erotic drawings. Denouncing them as pornographic, they ripped them up before the artist's eyes. Living in New Preston, Connecticut his work became an important influence on American abstract expressionists, In particular Arshile Gorky drew on it, as did Jackson Pollock and Mark Rothko. Following the war, he returned to France and settled in Aix-en-Provence where he painted a number of landscapes. Masson drew the cover of the first issue of Georges Bataille's review, Acéphale, in 1936, and participated in all its issues until 1939. His brother-in-law, the psychoanalyst Jacques Lacan...Category
20th Century Surrealist Abstract Prints
MaterialsLithograph, Offset
- French Abstract Surrealist Color Lithograph Andre MassonBy André MassonLocated in Surfside, FLPublished Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing plate. Size is of the full sheet. André-Aimé-René Masson (4 January 1896 – 28 October 1987) was a French artist. Masson was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels. He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson would often force himself to work under strict conditions, for example, after long periods of time without food or sleep, or under the influence of drugs. He believed forcing himself into a reduced state of consciousness would help his art be free from rational control, and hence get closer to the workings of his subconscious mind. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miro, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. From around 1926 he experimented by throwing sand and glue onto canvas and making oil paintings based around the shapes that formed. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War (he associated once more with the surrealists at the end of the 1930s). Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island of Martinique from where he went on to the United States. Upon arrival in New York City, U.S. customs officials inspecting Masson's luggage found a cache of his erotic drawings. Denouncing them as pornographic, they ripped them up before the artist's eyes. Living in New Preston, Connecticut his work became an important influence on American abstract expressionists, In particular Arshile Gorky drew on it, as did Jackson Pollock and Mark Rothko. Following the war, he returned to France and settled in Aix-en-Provence where he painted a number of landscapes. Masson drew the cover of the first issue of Georges Bataille's review, Acéphale, in 1936, and participated in all its issues until 1939. His brother-in-law, the psychoanalyst Jacques Lacan...Category
20th Century Surrealist Abstract Prints
MaterialsLithograph, Offset
Recently Viewed
View AllMore Ways To Browse
Vintage Man
1972 Vintage
Vintage Sea
Plates With Sea
Munich Poster
Munich Vintage Poster
Vintage Olympics
Vintage Poster Games
Vintage Olympic Poster
Salvador Dali Light
Olympics Poster 1972
Munich 1972 Poster
Munich Olympics Poster
Munich Olympics 1972 Posters
Salvador Dali Exhibition Poster
Cat Silk
Philadelphia Poster
Picasso Young Woman