Portrait of James Ewell Brown Stuart American Civil War

Portrait of David Glasgow Farragut (American Civil War Officer) a 20th century color print after the painting by William Meijer color print on canvas, un...

After Andy Warhol lithograph on thick unframed paper stamped verso print: 23.5 x 23.5 inches provenance: private collection, France condition: very good and sound condition

'Maternitie' After Pablo Picasso (1881 - 1973) published by SPADEM 1983, limited to 1000 copies print on thick paper , unframed print: 26 x 19.75 inches provenance: private collectio...

French School, circa 1970's paper stuck on canvas with cut out magazine shapes 21.5 x 15 inches provenance: from a private collection in Paris, France The painting is in sound condit...

Set of 5 black and white engravings French School, 19th century each paper (unframed) : 9 x 12 inches provenance: private collection condition: good and sound condition, old foxing s...

Woodcut Engraving of "The Love of all Beauteous Things", poem by Robert S Bridges (1844-1930, British poet and poet laureate 1913-1930. by Henry Clarence Whaite (British 1895-1978) o...

Elegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...

Original Vintage Poster, issued 1987 by the ETH in Zurich on the occasion of its exhibition on Le Corbusier's difficult relation with his native country, using a photograph taken 193...

A poster by Erik Nitsche advertising General Dynamics' exhibition "Dynamic America" held 1961 at the Rockefeller Plaza in New York where the company promoted its achievements. Pictured is William Woodnut Griscom, an American inventor who founded the Electro Dynamic Company in 1880, based in Philadelphia. Griscom patented the world's first double induction motor, and his electric drive powered the the first trolley system in Washington D. C. In 1899 Electro Dynamic became Electric Boat...

Richard Hamilton began studying James Joyce's novel Ulysses (1922) during his national service in 1947. Hamilton was inspired by the idea of illustrating Joyce’s complex, experimental novel in and began making sketches the following year, only to put the project to one side in 1950, with no publisher willing to front the exorbitant cost of resetting the novel for illustrations. It was not until 1981 that he made the decision to create one illustration for each of the novel’s eighteen chapters, and a nineteenth image – a portrait of one of the novel’s main protagonists, Leopold Bloom – destined as a frontispiece. He conceived these images as large intaglio...

This haunting portrait of Richard Hamilton is layered with textured lavender surrounding his form. According to the Metropolitan Museum of Art: “In 1969, at the end of a characteris...

Printed in 1975, this poster features the encounter between an alluring woman dressed in red, and a man with his back to the viewer. The light of a streetlamp is beautifully imitated...