Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Albert Besnard
Dans les Cendres (In the embers)

1887

$1,250
$2,00037% Off
£939.90
£1,503.8437% Off
€1,091.45
€1,746.3237% Off
CA$1,745.60
CA$2,792.9637% Off
A$1,936
A$3,097.6037% Off
CHF 1,016.69
CHF 1,626.7137% Off
MX$23,775.44
MX$38,040.7037% Off
NOK 12,870.35
NOK 20,592.5637% Off
SEK 12,136.91
SEK 19,419.0637% Off
DKK 8,143.43
DKK 13,029.4837% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain at the Paris Salon, which showed his new characteristic style: Inspired by the contemporary group of impressionists of this time, Besnard attempted to capture light and color in his works. However, the artist was not an impressionist in the actual sense; he adopted the technique for the precise analysis of lighting, but did not entirely share in the impressionist interest in the realistic reproduction of impressions. Besnard was a master of his trade and had a good command of painting in watercolors, pastels, and oil, as well as etching. He found his motifs both in portrait painting and in landscape painting. Besnard also decorated numerous Parisian buildings, including the ceiling of the Comédie Française and the dome of the Petit Palais. In 1913, Besnard was appointed to be the director of Villa Medici in Rome; in 1922, he became the director of the Ecole des Beaux-Arts. In 1924, he became the first painter since 1760 to be elected as a member of the Académie Française, one of the oldest and most prestigious institutions of the French intellectual world.
  • Creator:
    Albert Besnard (1849 - 1934, French)
  • Creation Year:
    1887
  • Dimensions:
    Height: 16.75 in (42.55 cm)Width: 12.13 in (30.82 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Storrs, CT
  • Reference Number:
    1stDibs: LU3352852133

More From This Seller

View All
The Centenarian
By Edmund Blampied
Located in Storrs, CT
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT

The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.

Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.

Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...

Category

Late 19th Century Impressionist Figurative Prints

Materials

Lithograph

Becquet
By James Abbott McNeill Whistler
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category

Mid-19th Century American Impressionist Figurative Prints

Materials

Drypoint, Etching

Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category

1920s Modern Figurative Prints

Materials

Drypoint, Etching

Chez Madame Dupont
By Edmund Blampied
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category

1920s Modern Figurative Prints

Materials

Drypoint, Etching

You May Also Like

Sadness - Etching by Albert Besnard - 1909
By Albert Besnard
Located in Roma, IT
Sadness is an etching realized by Albert Besnard in 1909. Etching ex. 6/30. Slab dimension cm. 15 x 9,5. paper cm. 25 x 18. Pencil signature and date in the lower right part, date in the left part. Good conditions. Paul Albert Besnard (Parigi 1849 - 1934)born in Paris, was the son of an artist; his father, Louis Adolphe, was a painter and his mother, Louise Pauline Vaillant, was an esteemed miniaturist, a pupil of Lizinska de Mirbel. Besnard first studied drawing and painting with Jean-François Brémond and at 17 entered the École des Beaux-Arts, where he was taught by Alexandre Cabanel. In 1874 he won the Prix de Rome with the canvas "Death of Timofane, tyrant of Corinth", and during his stay at Villa Medici he had the opportunity to meet Franz Liszt and his pupil André Worsmer, whose portrait he painted in 1877. his stay in Italy and, in 1879he married the sculptor Charlotte Dubray, daughter of the sculptor Gabriel-Vital Dubray, with whom he moved to England for three years, until 1884, exhibiting at the Royal Academy of Arts in London. At the Paris Salon of 1886 his "Portrait of Madame Roger Jourdain...
Category

Early 1900s Modern Figurative Prints

Materials

Etching

DEJEUNER
By Albert Besnard
Located in Portland, ME
Besnard, Albert. DEJEUNER. D.50. Etching and Drypoint, 1886. Edition of 100. 12 3/8 x 9 5/8 inches, 315 x 243 mm., with small margins (probably trimmed). Signed in pencil and ann...
Category

Late 19th Century Figurative Prints

Materials

Drypoint, Etching

"Etude" original etching
By Albert Besnard
Located in Henderson, NV
Medium: original etching. From the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an edition of 525. A beautiful impression on Marais wove p...
Category

1890s Prints and Multiples

Materials

Etching

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
By Paul Albert BESNARD
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...
Category

Early 1900s Impressionist Figurative Prints

Materials

Handmade Paper, Drypoint, Etching

La Robe de Soie - Etching by Albert Besnard - 1880s
By Albert Besnard
Located in Roma, IT
Beautiful print in black bister on verge, in excellent conditions, signed by the artist in pencil. Three very small traces of glue on margin of sheet on verso. Full margins. Ref. Cat...
Category

1880s Modern Figurative Prints

Materials

Etching

Le Modèle au Manteau Noir - Etching by Albert Besnard - 1920s
By Albert Besnard
Located in Roma, IT
Beautiful print on verge, 1st state on 3 after which several changes were made. Numbered, signed and noted in pencil by the artist. Full Margins. Former Collection Henri Prost and Lo...
Category

1920s Modern Figurative Prints

Materials

Etching