Aldo Palma

Revisiting the Pietà - Screenprint by Aldo Palma - 2018

2018

Screen print on paper realized by Aldo Palma in 2018. Hand signed and numbered in pencil. Edition of 100. Excellent condition.

Screenprint, numbered and signed, by the Italian artist Mino Trafeli (Volterra, Italy 1922-2018). Part of a portfolio of 13 5-color serigraphs made by Mino Trafeli and printed, with...

Screenprint, numbered and signed, by the Italian artist Mino Trafeli (Volterra, Italy 1922-2018). Part of a portfolio of 13 5-color serigraphs made by Mino Trafeli and printed, with...

Two Models is an original screen print realized by Nicola Simbari in 1976. Hand signed and dated on the lower right margin. Numbered on the lower left. Edition of 90. Nicola Simbari (San Lucido...

Biagio Civale, Italian/American (1936 - ) - Crucifixion at Vic Su Cere, Medium: Screenprint, signed and numbered in pencil, Edition: 95/100, Size: 27.5 in. x 19.5 in. (69.85 cm x ...

Luis Rodolfo Trimano (Argentina, 1943) ' Untitled II from Estigmas', 2006 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 Unframed ID: TRI1706-001-106_2 Hand-signed b...

Artist: Miguel Angel Rojas, Colombian (1946 - ) Title: Sin Titulo Year: 1992 Medium: Screenprint, signed, numbered, and dated in pencil Edition: 4/150 Image...

Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...