Alejandro Colunga

Autobus, Surrealist Lithograph by Alejandro Colunga

1979

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Les Venusiennes (II) - Fog Ma Gog Planche 3 Year: 1971 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 47/100...

Artist: John Hultberg Title: Greenhouse Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 32 inches Paper Size: 26 in. x 34 in. (66.0...

Artist: John Hultberg Title: Guatemala Year: circa 1978 Medium: Lithograph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 19 x 26 inches Paper Size: 22 in. x 30 in....

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Orsa Maggiore Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: X/XXV Paper Size: 31...

Three women. 9/50., Paper, etching, 23x58 cm

Daniel Serra-Badue was a Cuban artist working in New York City. His work is notable not only for the surrealist subject matter (a single egg in a wire basket in deep space) but for t...

Hand signed and numbered lithograph in colors on Arches paper. Mourlot 1025. Published by Maeght Éditeur, Paris. Edition of 27/30. Artwork size 91.375 x 47.875 inches. Custom framed ...

The Secret 1966 Lithograph on wove paper with watermark arches 20in x 25in (64cm x 50cm), paper size 29inx22in and (39inx33in) framed under glass. Pencil signed and numbered, edition 34/75. Ref. no. 4, in: Cahier Paul Delvaux, no. 1, printed by Mourlot, published by Galerie Bateau Lavoir, Paris. Paul Delvaux, (born September 23, 1897, Antheit, Liège, Belgium—died July 20, 1994, Veurne), Belgian Surrealist painter and printmaker whose canvases typically portray transfixed nudes and skeletons in mysterious settings. From 1920 to 1924 Delvaux studied architecture and painting at the Académie des Beaux-Arts in Brussels. His early work was influenced by Post-Impressionism and Expressionism, but after discovering the work of Salvador Dalí, Giorgio de Chirico, and his fellow Belgian René Magritte, Delvaux converted to a Surrealist style in the mid-1930s. He traveled through Italy before World War II, and the Classical architecture he encountered there developed into recurring motifs in his work. During that trip he was also greatly influenced by early 16th-century Italian Mannerist...