Ritchie's Death of President Lincoln, Engraved from the Painting

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Nikolai Uvarov - Diptych 1980. paper, linocut, each artwork 24.5х15 cm

Francisco Zúñiga - Gruppo de Mujeres Sentadas, I.

Wilhelm Gross - The Prophet / - The Burden of the Prophet -

Alfred Rethel - Death as a servant / - Concise congeniality -

Rudolph Carl Gorman - Yuyake

Rudolph Carl Gorman - "Woman from Maui" Large original color serigraph.

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Alexander Hay Ritchie
Ritchie's Death of President Lincoln, Engraved from the Painting
1868

$5,000List Price

20th Century Realist Figurative Prints

Materials

Woodcut

Paul Jacoulet
Le Vieux Manuscrits, Coree-Seoul, 1948

$2,000

Diptych 1980. paper, linocut, each artwork 24.5х15 cm

By Nikolai Uvarov

Located in Riga, LV

Diptych 1980. paper, linocut, each artwork 24,5х15 cm The diptych created in 1980 consists of two linocut prints on paper. Each artwork measures 24.5x15 cm. The subject of the dipt...

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1980s Realist Figurative Prints

Materials

Paper, Linocut

Nikolai Uvarov
Diptych 1980. paper, linocut, each artwork 24.5х15 cm, 1980

$172 Sale Price

20% Off

Gruppo de Mujeres Sentadas, I.

By Francisco Zúñiga

Located in New York, NY

Signed, dated and numbered 59/92 in pencil, lower margin. Printed by Kyron, Mexico City. Co-published by Kyron, and Tasende, Mexico City. Catalogue raisonne: Vlady 244.

Category

1970s Realist Figurative Prints

Materials

Lithograph, Color

Francisco Zúñiga
Gruppo de Mujeres Sentadas, I., 1974

$1,200

The Prophet / - The Burden of the Prophet -

Located in Berlin, DE

Wilhelm Gross (1883 Schlawe - 1974 Oranienburg-Eden), The Prophet, c. 1955. Woodcut on thin laid paper, 43 cm x 23 cm (depiction), 61 cm x 43 cm (sheet size), signed “Dr. Wilh.[elm] Gross” in pencil lower right, inscribed “Orig.[inal] Holzschnitt (Handabdruck)” lower left and inscribed “Aus der ”Ecce homo“ Folge” in the center. - The wide margin with traces of pressing due to the impression, the sitter's left foot with a small purple stain, otherwise in vibrant condition. - The Burden of the Prophet - The large-format woodcut shows a prophet figure that takes up almost the entire height of the sheet. However, instead of seeing something in the distance that is still hidden from our eyes - as is usual in depictions of prophets - the figure has raised his hands in a defensive gesture, as if the prophet is trying to ward off what he has seen. At the same time, however, the position of the arms is an acceptance of the inevitable, which only those who recognize what is to come will have to bear for the time being, which is why the figure in the painting - despite its size - appears almost solitary, alone and exposed to the burden of suffering. In a manner reminiscent of the folds of medieval wooden sculptures...

Category

1950s Realist Figurative Prints

Materials

Paper

Wilhelm Gross
The Prophet / - The Burden of the Prophet -, c. 1955

$538

Death as a servant / - Concise congeniality -

Located in Berlin, DE

Alfred Rethel after (1816 Diepenbenden - 1859 Düsseldorf), Death as a servant, around 1920. Color woodcut by Oskar Bangemann after a drawing by Rethel created around 1845 on handmade...

Category

1910s Realist Figurative Prints

Materials

Paper

Death as a servant / - Concise congeniality -, c. 1920

$287

Yuyake

By Rudolph Carl Gorman

Located in San Francisco, CA

This artwork titled "Yuyake" 1981 Is an original colors woodcut by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 197/210 in pencil by the artist. This artwork was printed in Tokyo, Japan. The image size is 14.5 x 19.5 inches, framed size is 26.5 x 31 inches. Custom framed in a light wood and gold frame, with fabric matting. It is in excellent condition, the frame have a minor black spot at the lower right corner, see picture #1 About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

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