Alexander Runciman"Perseus and Andromeda, " an Etching by Alexander Runcimanc. 1775
c. 1775
About the Item
- Creator:Alexander Runciman (1736 - 1785, British)
- Creation Year:c. 1775
- Dimensions:Height: 16.25 in (41.28 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:1770-1779
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Alexander Runciman
Alexander Runciman, born on August 15, 1736, in Edinburgh, was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He studied at the Foulis Academy, Glasgow and from 1750–62, he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal, Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him but died in Naples in the winter of 1768–69. During Runciman's stay in Italy, he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel. Runciman's earliest efforts had been in the landscape and he turned to historical and imaginative subjects, exhibiting his Nausicaä at Play with her Maidens in 1767 at the Free Society of British Artists, Edinburgh. On his return from Italy after a brief time in London, he exhibited in the Royal Scottish Academy in 1772. He settled in Edinburgh and was appointed master of the Trustees Drawing Academy. He was patronized by Sir James Clerk, whose hall at Penicuik House he decorated with a series of subjects from Ossian. He also created various religious paintings and an altar-piece in the Scottish Episcopal Church, Edinburgh and easel pictures of Cymon and Iphigenia, Sigismunda Weeping over the Heart of Tancred and Agrippina with the Ashes of Germanicus. In 1773, he was listed as sharing a studio with Mr. McLarin at the foot of Old Assembly Close, Royal Mile. He enjoyed a strong reputation as a landscape painter in his lifetime. Some of his works, due to their spontaneity, the vigor of style, color and unorthodox composition, place him as an early exponent of modern art. Keith Ralph studied under Alexander Runciman. Runciman died on October 4, 1785, in Edinburgh and is buried in Canongate Churchyard. The grave is unmarked but a stone plaque was erected by the RSA in 1866 on the west-facing wall of the church to honor his memory and also commemorating his brother John who died in Naples.
- ShippingRetrieving quote...Ships From: Milwaukee, WI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "Etude d'Une Scene du Brigands (Study), " Etching by Claude Gellee (Le Lorrain)By Claude LorrainLocated in Milwaukee, WI"Etude d'Une Scene du Brigands (Study with Brigands)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum, the Art Institute of...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsEtching
- "The Singer" Original Black & White Etching of Figures by Cornelis-Pietersz BegaBy Cornelis BegaLocated in Milwaukee, WI"The Singer" is an original etching by Cornelis-Pietersz Bega. It depicts a performer and onlookers. Publisher: Pearce #50. 4" x 3" art 16 1/2" x 13 1/2" frame Cornelis Pietersz Be...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsEtching
- "Man Looking Through Window, " Original Etching signed by Cornelis-Pietersz BegaBy Cornelis BegaLocated in Milwaukee, WI"Man Looking Through a Window" is an original etching by Cornelis-Pietersz Bega. It depicts a figure leaning through a window. Publisher: Pearce #37. 3 1/8" x 3" art 14 3/4" x 13 1/...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsEtching
- "The Conversation, " original etching by Cornelis-Pietersz BegaBy Cornelis BegaLocated in Milwaukee, WI"The Conversation" is an original etching by Cornelis-Pietersz Bega. It depicts three men conversing in a dark interior. Publisher: Pearce #43. 3" x 2 1/4" art 12 3/4" x 11 5/8" fra...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsEtching
- "The Pipe Smoker, " Original Etching Portrait by Cornelis-Pietersz BegaBy Cornelis BegaLocated in Milwaukee, WI"The Pipe Smoker" is an original etching by Cornelis-Pietersz Bega. It depicts a man sitting at a table with his pipe. Publisher: Pearce #38. 3 1/2" x 3 1/4" art 13 5/8" x 11 3/4" f...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsEtching
- "The Meeting, " Original Etching by Cornelis-Pietersz BegaBy Cornelis BegaLocated in Milwaukee, WI"The Meeting" is an original etching by Cornelis-Pietersz Bega. It depicts a confrontation between two groups of figures. Publisher: Pearce #48. 2 3/4" x 2 3/4" art 10 1/4" x 10 3/8...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsEtching
- Church of St. Costanza, Rome: An 18th Century Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...Category
1770s Old Masters Interior Prints
MaterialsEtching
- Crucifixion: 18th Century Etching by Conrad Metz after Daniele da VolterraLocated in Alamo, CA"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran MoleBy Giovanni Battista PiranesiLocated in Alamo, CA"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...Category
1760s Old Masters Figurative Prints
MaterialsEtching
- Piquier Allemand (German Pikeman) /// Old Masters Figurative Man Soldier AntiqueLocated in Saint Augustine, FLArtist: Armand Joseph Lallemand (French, 1810-1871) Title: "Piquier Allemand (German Pikeman)" Portfolio: Gazette des Beaux-Arts Year: 1866 Medium: Original Etching on cream laid pap...Category
1860s Old Masters Figurative Prints
MaterialsIntaglio, Etching, Laid Paper
- The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel ArtBy Michael BurghersLocated in Saint Augustine, FLArtist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...Category
1680s Old Masters Figurative Prints
MaterialsWatercolor, Engraving, Etching, Laid Paper, Intaglio