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Allan D'Arcangelo 1Yield1968
1968
About the Item
"Yield" by Allan D’Arcangelo uses the familiar road sign as a symbol of caution and submission, reflecting themes of modern life, societal control, and decision-making. The yield sign can be seen as a metaphor for hesitation or reflection, suggesting the tension between following established paths and forging one’s own direction.
D’Arcangelo’s minimalist, bold lines evoke the American highway system, a recurring motif in his work that critiques post-war progress, consumerism, and isolation. The piece highlights how symbols guide human experience, blending visual simplicity with profound philosophical commentary. As a printer’s proof, it holds special significance for collectors, offering insight into the creative process.
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- Creator:
- Creation Year:1968
- Dimensions:Height: 30 in (76.2 cm)Width: 19.25 in (48.9 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Items are carefully stored and inspected before shipping. Feel free to request additional photos or ask any questions about their condition—we’re happy to assist!
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: CB21051stDibs: LU1294115753342
Allan D'Arcangelo 1
Allan D'Arcangelo was an American artist and printmaker. D'Arcangelo was born in Buffalo on June 16, 1930, to Italian immigrant parents. After earning a degree in history from the University of Buffalo, he moved to Mexico City where he studied art. In 1958, he held his first one-man show. His style, loosely termed Hard Edge or Constructivist Art, was based on spatial relationships. A keen sense of perception, complemented by expert use of color tones and shadows, points up these relationships in forceful compositions. It has been said that, “D'Arcangelo has the ability to defy, yet document, spatial relationships at the same time”. The recipient of 15 awards and commissions, D'Arcangelo had frequent one-man shows, many of which were in prominent museums throughout America. His selected exhibitions include, “American Landscape Painting” at Museum of Modern Art, “American Art Since 1945” at Museum of Modern Art, “Popular Imagery” in Sarah Lawrence College and “The Popular Image” at The Institute for Contemporary Art, were among some of them. D'Arcangelo passed away on December 17, 1998 in New York City due to complications with leukemia.
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