Alphonse Levy

Rabbi Elisha the Blind - Original lithograph (1897/98)

1897/98

Louis Icart, After, French (1888 - 1950) - Speed, Medium: Lithograph, facsimilie signature, Image Size: 14.5 x 24.5 inches, Size: 22 x 30 in. (55.88 x 76.2 cm), Description: A gh...

Louis Icart, French (1888 - 1950) - Silk Robe, Medium: Offset Lithograph on paper, signed in plate, Image Size: 17.5 x 21.5 inches, Size: 19 x 22.5 in. (48.26 x 57.15 cm), Descrip...

Louis Icart, After, French (1888 - 1950) - Coursing 3, Medium: Offset Lithograph on paper, signed in plate, Image Size: 14.5 x 23.75 inches, Size: 16 x 25 in. (40.64 x 63.5 cm), D...

Louis Icart, After, French (1888 - 1950) - Louise, Year: Of Original: 1927, Medium: Lithograph, facsimilie signature, Edition: 122/300, Image Size: 20 x 14 inches, Frame Size: 2...

Original Saxoleine Petrole de Surete, artist Jules Cheret. Linen-backed turn-of-the-century original stone lithograph poster advertising Saxoleine, a lamp oil. The glow from this l...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Limited edition lithograph on Arches paper from edition of 2,000 of "La Revue Blanche" by Henri de Toulouse-Lautrec. Reproduction reissued in 1974. Th...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

Osmar Schindler, (German 1867-1927), Internationale Kunst Ausstellung, Dresden, 1897 Lithograph, signed (in the plate) (middle right), 96cm x 75cm (100...

Alfons Mucha DOCUMENTS DECORATIFS Six color lithographs, 1902, on wove paper, printed by F. Champenois, Paris, published by the Librarie Cen...