Moët & Chandon: Champagne White Star
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Alphonse MuchaMoët & Chandon: Champagne White Star
About the Item
- Creator:Alphonse Mucha (1860 - 1930, Czech)
- Dimensions:Height: 22.88 in (58.12 cm)Width: 7.69 in (19.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 291671stDibs: LU917841392
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1998
1stDibs seller since 2011
75 sales on 1stDibs
Typical response time: 14 hours
More From This SellerView All
- Byzantine Head - BrunetteBy Alphonse MuchaLocated in San Francisco, CAOriginal lithograph printed in colors on wove paper Signed on the stone lower left Mucha. A superb impression of the first of five variants of the original version of this lithogra...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
Price Upon Request - Compagnie Francaise des Chololats et des ThesBy Théophile Alexandre SteinlenLocated in San Francisco, CAOriginal lithograph printed in four colors (yellow, red, olive green, black) on wove poster paper Signed on the stone lower right Steinlen, also bearing the artist’s printed monogra...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- UNTITLED from Documents DécoratifsBy Alphonse MuchaLocated in San Francisco, CAOriginal lithograph printed in dark green ink on wove paper, with hand-coloring added A superb impression of the definitive state, from the edition issued in the book Documents Décoratifs...Category
Early 1900s Art Nouveau Figurative Prints
MaterialsLithograph
- At The Dawn of LoveBy Marc ChagallLocated in San Francisco, CAOriginal lithograph printed in colors on wove paper bearing the “ARCHES / FRANCE” watermark. Hand-signed in pencil in the margin lower right Marc Chagall. A superb artist’s proof i...Category
2010s Contemporary Figurative Prints
MaterialsLithograph
Price Upon Request - The ShoemakerBy James Abbott McNeill WhistlerLocated in San Francisco, CAOriginal lithograph printed in black ink on China paper. Signed on the stone with the artist’s butterfly monogram upper center. A superb, richly printed impression of Spink’s only state From the edition of unknown size printed by Lemercier, Paris (apart from the posthumous edition of 58 printed by Goulding in 1904). Catalog: Spink 169; Levy 129; Way 151 Collections in which impressions from this edition can be found: Art Institute of Chicago (4 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); British Museum, London (1 impression); Freer Art Gallery, Smithsonian Institution, Washington, D.C. (1 impression); National Gallery of Art, Washington, D.C. (1 impression); University of Michigan Museum of Art, Ann Arbor (1 impression); Boston Public Library (1 impression); Museum of Fine Art, Boston (1 impression); Cleveland Museum of Art (1 impression); Metropolitan Museum of Art, New York (2 impressions); Achenbach Foundation for the Graphic Arts, San Francisco (1 impression) . “The Shoemaker” was one of the first lithographs that Whistler made after his acrimonious break with his London printers, the Ways. It was entitled “The Shoemaker, Dieppe” by Rosalind Birnie Philip in her 1903 inventory of the artist’s estate, and indeed it does seem to have been drawn during a period when Whistler was making frequent Channel crossings...Category
19th Century American Impressionist Figurative Prints
MaterialsLithograph
- Nude Model, RecliningBy James Abbott McNeill WhistlerLocated in San Francisco, CAOriginal lithograph printed in black ink on antique laid paper. Signed on the stone with the artist’s butterfly monogram center left. A superb impression of Spink’s third and f...Category
19th Century Aesthetic Movement Figurative Prints
MaterialsLithograph
Price Upon Request
You May Also Like
- "The New Woman" from Les Maitres de l'Affiche by MorrowLocated in Hinsdale, ILMORROW, ALBERT GEORGE (1863 -1927) "The New Woman" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, c. 1897. Plate #79 Unframed Size: 11 3/8 x 15 3/4 ”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Grande Tuilerie d’Ivry" from Les Maitres de l'AfficheBy Alexandre CharpentierLocated in Hinsdale, ILCHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Quinquina Dubonnet" Original Jules Cheret Maitre de l'AfficheBy Jules ChéretLocated in Hinsdale, ILCHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Lorenzaccio" by Alphonse Mucha from Les Maitres de l'AfficheBy Alphonse MuchaLocated in Hinsdale, ILAlphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- Harpers Magazine "March Hare" Maitres de l'AfficheBy Edward PenfieldLocated in Hinsdale, ILPENFIELD, FERDINAND (1866 - 1922) Harper’s Magazine - March Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Hippodrome des Art", Maitre de l'affiche lithographBy François DuyckLocated in Hinsdale, ILDUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Champagne Grape
Advertise Here
White Star Line Poster
French Champagne Grape
Menu Sign
Champagne Poster
18th Century Champagne
Art Nouveau Outdoor
Lithograph 1800s
French Champagne Posters
Mucha Flowers
Champagne Lithograph
Antique Wine Posters
F Champenois
Signed Mucha Lithograph
Art Nouveau Postcard
Antique Distributors
Outdoor Antique Market