Alvin Loving, Jr.

Red Queen, Screenprint by Alvin Loving

1980

Artist: James Rosenquist Title: New York New York - Communications Center Year: 1983 Medium: Screenprint and Offset Lithograph, signed and numbered in pencil Edition: 250 Paper Size...

From the artist that gave us LOVE, he now gives us HOPE. This is the complete suite of four HOPE silkscreens on Silver in the original folio. Each print is signed and numbered in pe...

This is a beautiful very small limited edition of only 10 - screen print. This is the only piece left and it is a beautiful no. 10/10. We love this piece because it imagines the fasc...

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed Also accompanied by gallery issued Certificate of Guarantee This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...