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Amy WilsonYour Myth of Scarcity2021
2021
$1,800
£1,367.14
€1,579.50
CA$2,522.76
A$2,823.45
CHF 1,473.62
MX$34,431.52
NOK 18,860.37
SEK 17,853.76
DKK 11,787.62
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About the Item
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece.
The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
- Creator:Amy Wilson (1973, American)
- Creation Year:2021
- Dimensions:Height: 21.5 in (54.61 cm)Width: 14.24 in (36.17 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Red Bank, NJ
- Reference Number:1stDibs: LU2849216417682
Amy Wilson
Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and the exterior world, incorporating personal stories and observations along with commentary about current events both personal and newsworthy. Her small-scale watercolor drawings, etchings, and books feature tiny, hand-written texts and an ever-changing cast of talkative girls. Wilson has had solo shows at BravinLee Programs, Bellwether Gallery, MoMA-PS1, and The Drawing Center, and has participated in group exhibitions at PS1/MOMA, The Drawing Center, Josee Bienvenue Gallery, and the Grolier Club (all in New York) and the Pera Museum (Istanbul). She teaches drawing and art history at the School of Visual Arts, New York.
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By Amy Wilson
Located in Red Bank, NJ
I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece.
The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
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The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
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The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.
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Artist: Alice Asmar American (1929- )
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Year: 1980
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American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
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After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
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Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
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