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Antony GormleyWeb2023
2023
About the Item
Polymer Gravure on Velin Arches Blanc 250 gsm paper
Edition of 80, signed and numbered on the back
The piece investigates the relationship between the body and space. The title and the figure's pose suggest a state of suspension or entanglement, reflecting Gormley's exploration of embodiment and spatial dynamics.
Antony Gormley, renowned for his exploration of the human body and its relationship to space, has extended his artistic vision into the realm of printmaking. His prints often reflect the same themes as his sculptures, focusing on the figure in various states of abstraction, suspension, or entanglement. Using techniques such as etching, aquatint, and lithography, Gormley creates dynamic compositions where the human form is reduced to lines, dots, or geometric structures, emphasizing movement and spatial tension. Works like WEB (2023) and Body & Soul series illustrate his ability to convey depth, energy, and human presence within a two-dimensional medium. Each print is a meditation on existence, balance, and the interaction between the self and the surrounding environment, capturing the essence of his sculptural practice in a more intimate format.
- Creator:Antony Gormley (1950, British)
- Creation Year:2023
- Dimensions:Height: 12.01 in (30.5 cm)Width: 9.57 in (24.3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2154215775262
Antony Gormley
Antony Gormley was born and raised in Hampstead Garden Suburb, attending Ampleforth College, a Benedictine Boarding school in Yorkshire. Gormley went on to study Archaeology, Anthropology and History of Art at Trinity College, Cambridge, from 1968-1971. From 1974, Gormley attended Saint Martin’s School of Art and Goldsmiths in London, going on to complete his studies with a postgraduate course in sculpture at the Slade School of Fine Art, London, where he graduated from in 1979.
Gormley’s first solo exhibition took place at the Whitechapel Art Gallery in 1981. The vast majority of Gormley’s work takes the human body as subject, recasting it from conceptions of the body as appearance-based object to a world of subjective experience in which we inhabit. The 2006 Sydney Biennale featured an installation of 180,000 small clay figurines, one of Gormley’s best known and acclaimed works entitled Asian Field. In 2006, the burning of Gormley’s 25-metre high The Waste Man formed the zenith of the Margate Exodus. In 2007, Gormley’s 31 life size, anatomically exact casts of his body were installed on top of prominent buildings along South Bank in London and Madison Square in New York. In 2009, Gormley invited members of the public to spend one hour on the vacant plinth in Trafalgar Square in London as Part of a living art exhibition. In 2012, Gormley begun experimenting with digital cubism, and in 2015, five life sized sculptures were placed near the centre and at four compass points of the UK in a commission to celebrate the Landmark Trust’s 50th anniversary; Gormley named this collection Land. Gormley has received international recognition for his work, winning the Turner Prize in 1994, appointed a Royal Academician in 2003, made a trustee of the British Museum in 2007 and won the Laurance Olivier Award for Outstanding Achievement in Dance for his set design for Babel at Sadler’s Wells. Gormley won the Obayashi Prize in 2012 and was knighted in the 2014 New Year Honours for his services to the arts. Collectors of his work and Public Art locations include the Tate Gallery; Winchester Cathedral; Victoria Square, Birmingham; Mo i Rana, Noway; Crosby Beach; Greenwhich; Mansfield College; the British Library; Manchester Art Gallery; Lake Ballard, Australia; the Archaeological Park of Scolacium, Calabria; Hayward Gallery, London; DeCordova Museum and Sculpture Park; Christchurch, New Zealand and the Anchorage Museum, Alaska.
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