Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Appian
Le Port de Monaco - Etching by Appian - 1874

1874

$1,026.67
£756.65
€860
CA$1,405.29
A$1,574
CHF 819
MX$19,116.06
NOK 10,382.87
SEK 9,797.01
DKK 6,545.16
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Le Port de Monaco is an artwork realized by Appian. Etching, realized in 1874. Sheet 158 x 237 mm.. Curtis and Prouté 36. Meeting of a very beautiful proof on white laid paper, from the 1st state (of 2), before any letter, with very large margins, and a proof on cream laid paper, from the state definitive, slightly oxidized. Small traces of glue on the back. Good margins.  Prov. Private Collection H. M. Petiet.
  • Creator:
    Appian
  • Creation Year:
    1874
  • Dimensions:
    Height: 62.21 in (158 cm)Width: 91.74 in (233 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1454471stDibs: LU650313628662

More From This Seller

View All
Jetee en Bois dans le Port de Honleur - Etching by Johan Barthold Jongkin- 1860s
By Johan Barthold Jongkind
Located in Roma, IT
Jetee en Bois dans le POrt de Honleur is a black and White etching realized by Johan Barthold Jongkin in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression w...
Category

1860s Modern Figurative Prints

Materials

Etching

Entrée du Port de Honfleur - Etching by Jongkind - 1863
By Johan Barthold Jongkind
Located in Roma, IT
Entrée du Port de Honfleur is a black and white etching realized by Jongkind (1819-1891) in 1863. Titled in the lower. Image size: 30.5cmx22cm. Good condition. Signed and dated o...
Category

1860s Modern Figurative Prints

Materials

Etching

Vue du Port au Chemin de Fer à Honfleur - Etching by Johan B. Jongkind - 1870s
By Johan Barthold Jongkind
Located in Roma, IT
Vue du Port au Chemin de Fer à Honfleur is an artwork realized by Jongkind in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initi...
Category

1870s Modern Figurative Prints

Materials

Etching

Vue de Monaco - Etching by Paul Borol - 1870s
Located in Roma, IT
Vue de Monaco is an artwork realized by P. Borol in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alf...
Category

1870s Modern Figurative Prints

Materials

Etching

Etretat - Etching by Lèon Gaucherel - 1860s
By Léon Gaucherel
Located in Roma, IT
Etretat is a black and White etching realized by Léon Gaucherel in the 1860s.  Titled in the lower Image Size: 23x31 Very good impression. Realized for the "Société des Aquaforti...
Category

1860s Modern Figurative Prints

Materials

Etching

View of the Port of Ripetta - Lithograph - 20th Century
Located in Roma, IT
View of the Port of Ripetta is an original Lithograph, realized by an anonymous artist in the 20th Century. The status of preservation Good. The artwork is depicted skillfully thro...
Category

20th Century Modern Figurative Prints

Materials

Lithograph

You May Also Like

The Harbour, Sailboats - Original etching - Ed. Durand Ruel, 1873
By Édouard Manet
Located in Paris, IDF
Edouard MANET (after) The Harbour, Sailboats, 1873 Original Etching Engraved by Gaucherel under the supervision of MANET Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
Category

1870s Impressionist Landscape Prints

Materials

Etching

"Port d'Auteuil" original etching
By Ernst Walter Zeising
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1907 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 1/4 x 9 1/2 inches (160 x 24...
Category

Early 1900s Prints and Multiples

Materials

Etching

Ernest David Roth Early 20th Century Etching Titled "Shipping - Camogli"
By Ernest David Roth
Located in Redding, CT
Ernest David Roth Early 20th Century Etching Titled "Shipping - Camogli", pencil signed by artist in lower right side , dated 1931. Measures 21.25” W x 17.25” H x .75 D
Category

Vintage 1930s Prints

Materials

Paper

"Quai de la Gare: Decharge Publique" original etching
By Auguste Louis Lepère
Located in Henderson, NV
Medium: original etching. This impression on wove paper was printed in 1908 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 5 3/4 x 8 1/2 inches (143 x 2...
Category

Early 1900s Expressionist Prints and Multiples

Materials

Etching

Maxime Lalanne "Rade de Bordeaux" original etching C. 1868
Located in Atlanta, GA
This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...
Category

Antique 19th Century French Prints

Materials

Paper

"Au cap d'Antibes" original etching
Located in Henderson, NV
Medium: original etching. Printed in 1902 and published in Paris by Gazette des Beaux Arts. Image size: 5 3/4 x 8 1/4 inches (145 x 210 mm). Signed in the plate, not hand-signed.
Category

Early 1900s Realist Prints and Multiples

Materials

Etching