Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Asa Cheffetz
Ramshackle Barn (de-accessioned from the Denver Art Museum)

ca. 1929

$800
£608.62
€711.66
CA$1,118.84
A$1,256.88
CHF 668.90
MX$15,541.86
NOK 8,150.62
SEK 7,880.48
DKK 5,308.31
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale and at the National Academy of Design in New York City. He also studied with Ivan Gregorevitch and William Auerbach-Levy. Settling in Springfield, Massachusetts where his family operated a movie theater, Cheffetz applied his training and talent to the mastery of wood engraving, a medium for which he is now best known in which he was largely self-taught. The majority of his work is devoted to depictions of the rural New England landscape. In the sense that Tony Bennett is referred to as “a singer's singer”, Cheffetz is arguably “the engraver's engraver” of his time. Looking past the conventionality of his subject matter, his technique is so skillful that he achieves effects of light, shadow, and texture in his wood engravings that a lithographer might envy. Cheffetz was also a perfectionist; he personally printed his engravings with meticulous attention to detail and tonal gradation.
  • Creator:
    Asa Cheffetz (1896 - 1965, American)
  • Creation Year:
    ca. 1929
  • Dimensions:
    Height: 13 in (33.02 cm)Width: 10.25 in (26.04 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    affixed to original matting (see photos); overall browning and toning to the sheet and bunching at the bottom much of which will re-frame out, as that part would be covered with matting; the etching and the image itself is otherwise in good condition.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745212834232

More From This Seller

View All
The Whitney (Marcel Breuer Building)
By Richard Haas
Located in New York, NY
Richard Haas The Whitney (Marcel Breuer Building), 1979 Woodcut engraving Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from the regular edition of 60. 22 3/4 × 18 1/4 inches Unframed This vintage 1979 woodcut engraving by the world's top architectural muralist and trompe d'oeil artist, Richard Haas, depicts the building New Yorkers nostalgically call the "Old Whitney". Long before the Whitney moved to Manhattan's trendy meatpacking district...
Category

1970s Realist Figurative Prints

Materials

Engraving, Etching

View of the Mall From a Castle Tower Seven-Color Lithograph on rag Signed HC VII
By Richard Haas
Located in New York, NY
Richard Haas View of the Mall From a Castle Tower, 1983 Seven-Color Lithograph: Hand Drawn on English Somerset Satin 100% rag paper 14 1/4 × 43 3/4 inches...
Category

1980s Realist Landscape Prints

Materials

Lithograph

City Service Building (70 Pine Street, Manhattan)
By Richard Haas
Located in New York, NY
Richard Haas City Service Building (70 Pine Street, Manhattan), 2005 Etching Signed, titled, dated and numbered 7/20 in pencil on the front 20 × 16 inches Unframed Rare print by Rich...
Category

Early 2000s Realist Landscape Prints

Materials

Etching

August Lake, Memorial Sloan Kettering Art Collection signed landscape silkscreen
Located in New York, NY
William Waitzman August Lake (from the Memorial Sloan Kettering Art Collection), 2016 Hand printed color silkscreen on wove paper Pencil signed and numbered 4/14 on the front Frame i...
Category

2010s Realist Landscape Prints

Materials

Screen

View of Munich (Szoke, 80)
By Richard Haas
Located in New York, NY
Richard Haas View of Munich (Szoke, 80), 1978 Offset Lithograph with Graphite Stencil on BFK Rives Paper 17 1/2 × 43 1/2 inches Edition 52/150 Signed, titled and numbered 52/150 in graphite pencil on the front Published by Brooke Alexander, New York and Galerie Biedermann, Munich, Germany; Printer: Deli Sacilotto...
Category

1970s Realist Figurative Prints

Materials

Offset, Stencil

The Hugh O'Neill Building, 655-671 Sixth Avenue, NYC, lithograph Signed/N Framed
By Richard Haas
Located in New York, NY
Richard Haas The Hugh O'Neill Building, 655-671 Sixth Avenue, New York City, 1974 Lithograph on Arches paper Signed, titled and annotated "TP" in graphite pencil on the front Edition...
Category

1970s Realist Landscape Prints

Materials

Lithograph

You May Also Like

William Hogarth . Original engravings 155 pсs., 1 piece with blend. 1822 London
By William Hogarth
Located in Riga, LV
William Hogarth (1697-1764) Original engravings 155 pсs., 1 piece with blend. 1822 London From A. Neibergs collection
Category

1820s Realist Figurative Prints

Materials

Paper, Engraving

18th C. Italian Architectural Engraving of a Borromini Designed Church in Rome
Located in Alamo, CA
"Pianta del Finestrone, Prospetto del finestrone con suoi ornamenti nel mezzo della naue maggiore per fianco nella Basilica di S. Gio. in Laterano" is an architectural engraving of an elevation of monumental windows with their associated columns and ornaments above an entrance to the Basilica of S. Gio. In Laterano in Rome, the Cathedral of the Most Holy Savior and of Saints John the Baptist and the Evangelist in the Lateran, also known as the Papal Archbasilica of Saint John in Lateran. It is the church of the Diocese of Rome which serves as the seat of the Roman Pontiff. The print was engraved by Alessandro Specchi (1668-1729), an engraver and architect, after a design by the Italian architect Francesco...
Category

Early 1700s Realist Figurative Prints

Materials

Engraving

Cambridge Midsummer Fair
By Sir Muirhead Bone
Located in Middletown, NY
A peaceful image by Britian's first official war artist. Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Drypoint

Woolworth Building, New York
By Paul Schumann
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Plage de Villerville
By Charles François Daubigny
Located in Middletown, NY
Paris: Gazette des Beaux-Arts, 1856. Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...
Category

Mid-19th Century Realist Landscape Prints

Materials

Drypoint, Etching