Auguste Rodin

Dante & Virgilus - Etching, (Ed. Goupil, 1897)

1897

ARTIST: after Auguste RODIN TITLE : Icarus and Phaeton MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" ...

E. Dinet Jeux de fillettes a Laghouat Original litograph Platesigned 1897/98 Printed on paper Vélin Size 31 x 40 cm (c. 12 x 16") INFORMATION : Published by 'Estampe Moderne, Par...

Maurice DENIS (1870 - 1943) Mary Magdalene Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 32,5 x 47...

Maurice DENIS (1870 - 1943) Portrait of a Model, Study for the Bacchanale, 1918 Original lithograph enhanced in pastel On light cream tinted vellum 35 x 26 cm (c. 13,7 x 10,2 inch) ...

Maurice DENIS (1870 - 1943) Nymph of Eurydice Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 40 x 24,5 cm (c. 15,7 x 9,6 inch) I...

Salvador DALI Woman with crutch, 1969 Original etching With the blind stamp signature of the artist lower right Rare proof in bluish gray On Japan paper 38 x 38 cm (c. 15 x 11in) ...

"Le Petit Cirque Prinder" is an original etching by Auguste Brouet. This piece depicts a variety of circus performers surrounded by small children. The artist signed the piece in the...

"The Temptation of Saint Anthony" is an original etching by Fernand Cormon. This piece has the artist's stamp. The piece is signed in pencil by the artis...

"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit et fecit," indicating that Runciman both designed the original drawing and likely executed the etching on the metal plate. On the left, a young woman with a halo in fine dress stoops slightly and gathers her skirts as she leans over to accept the ring that the man on the right is reaching to place upon her finger. He is also young, dressed finely, and wearing a crown. Between them, a church official with a pointed hat and a long flowing beard recites the appropriate prayers for the occasion, while onlookers crowd in the background. The tiled floor demonstrates the use of one-point perspective, and the church appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander Runciman (Edinburgh 15 August 1736 – 4 October 1785 Edinburgh) was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him, but died in Naples in the winter of 1768–69. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...

"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed on the lower edge of the etching, "ARunciman inv. & fecit," i...

Etching done after Francois Boucher's "The Toilette of Venus." He is a 18th century artist who worked with a lot of naturalistic mythology themes. The engraving is from a book page w...

Neoclassical landscape etching in the style of Joseph Vernet. The work includes a group of fishermen with nets and a boat set against an idealized backgr...