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Ben ShahnHalleluja Portfolio by Ben Shahn, 24 Lithographs in Portfolio Case1970-1971
1970-1971
$2,500
£1,919.89
€2,200.17
CA$3,519.38
A$3,942.49
CHF 2,054.39
MX$48,090.20
NOK 26,106.65
SEK 24,616.71
DKK 16,421.49
About the Item
The Hallelelujah Portfolio by Ben Shahn Illustrating the 150th Psalm from the Old Testament of the Holy Bible. Including an introduction by Bernarda Bryson Shahn and with a letter from Fernand Mourlot. Contains 24 prints in original portfolio case, cover sheets, text and colophon.
Artist: Ben Shahn, American (1898 - 1969)
Title: The Hallelujah Portfolio
Year: 1970-71
Medium: 24 Lithographs Bound as issued
Edition: 240
Sheet: 16 x 16.5 inches
Portfolio Size: 18 x 19 x 2.5 in. (45.72 x 48.26 x 6.35 cm)
Printer: Atelier Mourlot, New York
Published by Kennedy Graphics, New York
- Creator:Ben Shahn (1898-1969, American)
- Creation Year:1970-1971
- Dimensions:Height: 22.5 in (57.15 cm)Width: 17.75 in (45.09 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU4665076282
Ben Shahn
Ben Shahn (1898 – 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee's drawings. His art is striking but also introspective. He often captured figures engrossed in their own worlds. Although he used many mediums, his pieces are consistently thoughtful and playful.
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