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Bernard Cathelin
Les Mexicaines

circa 1975

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  • Les Mexicaines
    By Bernard Cathelin
    Located in Long Island City, NY
    Artist: Bernard Cathelin, French (1919 - 2004) Title: Les Mexicaines Year: circa 1975 Medium: Lithograph on Japon paper, signed and numbered in pencil Edition: 24/50 Image Size: 21.5...
    Category

    1970s Modern Figurative Prints

    Materials

    Rice Paper, Lithograph

  • VIII from Les Marionnettes, Abstract Gouache and Drypoint by Hans Bellmer
    By Hans Bellmer
    Located in Long Island City, NY
    Artist: Hans Bellmer, German (1902 - 1975) Title: VIII from Les Marionnettes Year: 1969 Medium: Hand-colored Drypoint Etching on Rice Paper, signed in pencil Image Size: 12 x 11 inch...
    Category

    1960s Surrealist Figurative Prints

    Materials

    Gouache, Rice Paper, Drypoint

  • "The Football Player, " Woodcut Print on Rice Paper by Leonard Baskin
    By Leonard Baskin
    Located in Long Island City, NY
    This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...
    Category

    1950s Surrealist Figurative Prints

    Materials

    Woodcut, Rice Paper

  • "Fiorentino, " Woodcut Print on Rice Paper, circa 1950 by Leonard Baskin
    By Leonard Baskin
    Located in Long Island City, NY
    This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...
    Category

    1950s Surrealist Figurative Prints

    Materials

    Rice Paper, Woodcut

  • "Dierdre, " Woodcut Print on Rice Paper by Leonard Baskin
    By Leonard Baskin
    Located in Long Island City, NY
    This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...
    Category

    1950s Surrealist Figurative Prints

    Materials

    Rice Paper, Woodcut

  • "Custos Morum (Guardian of Morals)" Woodcut Print on Rice Paper, circa 1950
    By Leonard Baskin
    Located in Long Island City, NY
    This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...
    Category

    1950s Surrealist Figurative Prints

    Materials

    Rice Paper, Woodcut

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  • Two Fine Prints from the David Suite by Edna Hibel, 1978
    By Edna Hibel
    Located in Larchmont, NY
    Edna Hibel (American, 1917-2015) Two Lithographs from the David Suite, 1978 Hand pulled original lithograph on Japanese rice paper Sheet: 26 x 20 in. Signed lower right: Hibel Number...
    Category

    1970s Modern Figurative Prints

    Materials

    Rice Paper, Lithograph

  • "Les Mexicaines" / "Mexicans"
    By Bernard Cathelin
    Located in Berlin, MD
    Bernard Cathelin (French 1919-2004) "Les Mexicaines" Colored Lithograph on Rice Paper. A peaceful impressionistic scene of three Mexican women in the street. Red. Orange. Black. W...
    Category

    Late 20th Century Abstract Impressionist Figurative Prints

    Materials

    Rice Paper, Lithograph

  • "Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45
    Located in Soquel, CA
    "Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45 Portrait of a woman by artist, Dan Miller (American, b. 1928) made by layers of color in woodcuts in Miller's signature sty...
    Category

    1980s Contemporary Portrait Prints

    Materials

    Rice Paper, Laid Paper, Woodcut

  • Dream
    Located in New York, NY
    2011, Intaglio on rice paper AP edition
    Category

    2010s Expressionist Abstract Prints

    Materials

    Intaglio, Rice Paper

  • "First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
    By Toyohara Chikanobu
    Located in Soquel, CA
    "First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...
    Category

    1890s Edo Figurative Prints

    Materials

    Rice Paper, Ink, Woodcut

  • "Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
    Located in Soquel, CA
    "Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae. The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs. The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
    Category

    1820s Edo Figurative Prints

    Materials

    Ink, Rice Paper, Woodcut

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