Buff Monster

Cherry, Pop Art Screenprint by Buff Monster

2007

Artist: Tom Smith, American (1937 - ) Title: Urban Walls Year: 1973 Medium: Screenprint, Signed and numbered in pencil Edition: 75/150 Image Size: 16.5 x 25 inches

Artist: LeRoy Neiman (American, 1921-2012) Title: Paris Bourse Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: PP Image Size: 29.5 x 37 inches Frame Size: 41 ...

Daniel Joseph Martinez, American (1957 - ) - Freedom From Fear, Year: 1990, Medium: Screenprint, signed and numbered in pencil, Edition: 8/60, Image Size: 34.5 x 49.5 inches, Siz...

Sheep by Menashe Kadishman, Israeli (1932–2015) Date: circa 1981 Hand-Colored Screenprint on Fabriano, signed Size: 23 x 25 in. (58.42 x 63.5 cm) A signed print with extensive hand-...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

A portion of the proceeds from this print will go to a, yet to be determined, common sense gun law advocacy group. We need to put pressure on the politicians! -Shepard Fairey This GOD SAVES & SATAN INVESTS print was inspired by the multiple school and mass shootings that have occurred in recent months. As many of you know from my 2nd Amendment...

These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on...