Childe HassamThe Church Across the Way1916
1916
About the Item
- Creator:Childe Hassam (1859-1935, American)
- Creation Year:1916
- Dimensions:Height: 18 in (45.72 cm)Width: 14 in (35.56 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521262373
Childe Hassam
Childe Hassam was one of the most prolific American Impressionist painters of his day, creating more than 3,000 works of art. In addition to his love of urban scenes, Hassam is known for his portraits, landscapes and figurative paintings. He enjoyed a successful career, commercial popularity and critical acclaim, cementing an enduring legacy in American art.
Hassam was born in 1859 in Dorchester, Massachusetts, as Frederick Childe Hassam. As a teenager, he apprenticed in an engraver’s workshop but later started working as an illustrator. Hassam took a life drawing class at the Boston Art Club and an anatomy class at the Lowell Institute. In 1883, he embarked on a journey to Europe, where he began producing watercolor paintings.
Hassam returned to Boston in 1884 and married Kathleen Maude Doane. In 1886, the couple traveled to Paris together, where Hassam studied at the Academie Julian and exhibited his work at the Parisian salons. They returned to America in 1889 and took up residence in New York City.
Along with Boston and Paris, New York City featured heavily in Hassam's urban paintings. Among his most famous works is Avenue of the Allies, Great Britain, representing Manhattan’s Fifth Avenue.
Beginning in the 1890s, Hassam spent summers painting throughout Connecticut, Rhode Island and New Hampshire. He earned numerous accolades and exhibited at museums across the country by the turn of the century. In 1915, he turned his attention to prints and etchings.
Before he died in 1935, Hassam gifted the paintings in his studio to the American Academy of Arts and Letters with instructions that they be sold and the funds used to purchase American works. Today, his art is held in numerous museums, including the Brooklyn Museum, the Metropolitan Museum of Art, the National Gallery of Art and the Smithsonian American Art Museum.
In 2016, the “Impressionism: American Gardens on Canvas” exhibition at the New York Botanical Garden featured Hassam’s Celia Thaxter's Garden, Isles of Shoals, Maine among its showcase of American impressionist masters.
On 1stDibs, find original Childe Hassam prints, paintings, watercolor paintings and more.
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Laguna Veneta.By Otto Henry BacherLocated in Storrs, CTLaguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper. Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire. Housed in a 16 x 20-inch archival mat, suitable for framing. The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving. Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...Category
19th Century American Impressionist Landscape Prints
MaterialsEtching
- The Little Wheelwright'sBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...Category
Mid-19th Century American Impressionist Figurative Prints
MaterialsEtching
- Automne (Autumn)By Georges RouaultLocated in Storrs, CTAutomne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...Category
Mid-20th Century Impressionist Figurative Prints
MaterialsAquatint, Color
- Querelle d'amoureux. (Quarreling). 1By James TissotLocated in Storrs, CTEn plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...Category
19th Century Impressionist Figurative Prints
MaterialsDrypoint, Etching
- Barcarolle.By James McBeyLocated in Storrs, CTBarcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Over Cape CodBy Frank W. BensonLocated in New York, NY"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...Category
Mid-20th Century American Impressionist Figurative Prints
MaterialsEtching
- Arch Beach, CaliforniaLocated in San Francisco, CAThis artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...Category
Early 20th Century American Impressionist Landscape Prints
MaterialsEtching
- Village in FranceBy David RosenthalLocated in San Francisco, CAArtist: David Rosenthal (American 1876-1949) Title: Village in France Year: c.1927 Medium: Color Etching with aquatint Image (Plate mark) size: 13.5 x 10 inches Sheet size: 14.75 x 11.25 inches Signature: Hand signed and numbered 9/50 in black ink by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...Category
Early 20th Century American Impressionist Landscape Prints
MaterialsAquatint, Etching
- Bayfront Park, Miami, FloridaBy David RosenthalLocated in San Francisco, CAArtist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...Category
Early 20th Century American Impressionist Landscape Prints
MaterialsAquatint, Etching
- The Old HouseBy Arnold A. GrossmanLocated in San Francisco, CAThis artwork titled "The Old House" c.1980 is an original etching by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by th...Category
Late 20th Century American Impressionist Landscape Prints
MaterialsEtching
- Bay HarborBy David RosenthalLocated in San Francisco, CAArtist: David Rosenthal (American 1876-1949) Title: Bay Harbor Year: c.1930 Medium: Etching Image (Plate mark) size: 6 x 8.25 inches Sheet size: 8.25 x 10.5 inches Signature: Hand signed in pencil by the artist Condition: Very good About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...Category
Early 20th Century American Impressionist Figurative Prints
MaterialsEtching