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Claire Tabouret
Claire Tabouret, The Siblings - Ultra Contemporary Art, Signed Print

2020

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  • Koak, All Love Is Equal - Signed Print, 2019, Contemporary Art
    Located in Hamburg, DE
    Koak (US American, b. 1981) All Love Is Equal, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition: Mint
    Category

    21st Century and Contemporary Contemporary Figurative Prints

    Materials

    Digital, Screen

  • Koak, Families Belong Together - Signed Print, 2019, Contemporary Art
    Located in Hamburg, DE
    Koak (US American, b. 1981) Families Belong Together, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand-numbered and signed Condition: ...
    Category

    21st Century and Contemporary Contemporary Figurative Prints

    Materials

    Digital, Screen

  • Gilbert & George, The Singing Sculpture 1969-91 - British Art, Signed Print
    By Gilbert & George
    Located in Hamburg, DE
    Gilbert & George (British, b. 1942 and 1943) The Singing Sculpture 1969-91, 1993 Medium: Relief print in colors, on aluminium foil (Dufex) flush-mounted to museum board, with screenp...
    Category

    20th Century Contemporary Figurative Prints

    Materials

    Screen

  • Koak, Female Comes In Many Forms - Signed Print, 2019, Contemporary Art
    Located in Hamburg, DE
    Koak (US American, b. 1981) Female Comes In Many Forms, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition...
    Category

    21st Century and Contemporary Contemporary Figurative Prints

    Materials

    Digital, Screen

  • Daniel Richter, Propaganda II - Lithograph, Signed Print, Contemporary Art
    By Daniel Richter
    Located in Hamburg, DE
    Daniel Richter (German, born in 1962) Propaganda II, 2001 Medium: Lithograph in colours, on paper Dimensions: 42 × 59 cm (16 1/2 × 23 1/5 in) Signature: Hand-signed und dated “DR01“ ...
    Category

    21st Century and Contemporary Contemporary Figurative Prints

    Materials

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  • Marcel Dzama: La Revolución Va A Ser Feminina // Signed Lithograph Print
    By Marcel Dzama
    Located in Hamburg, DE
    Marcel Dzama La Revolución Va A Ser Feminina / The Revolution will be Female, 2017 Medium: Lithograph on wove paper Dimensions: 100 × 68 cm (39 2/5 × 26 4/5 in) Edition of 48: Hand-s...
    Category

    21st Century and Contemporary Contemporary Figurative Prints

    Materials

    Lithograph

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  • Mondrian with Vermeer, Lithograph by George Deem
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  • Israeli Expressionist Yosl Bergner Modernist Lithograph Kibbutz Coffee Grinder
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    Abstract Composition, Coffee Grinder Hand signed in Hebrew Lower right. limited edition. Dimensions: H 18.5" x 24.9" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggadah, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...
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