Cy Twombly

Allusions, Bay of Naples (from the collection of Donald Baechler) Signed/N print

1975

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

Larry Clark The Smell of Us (Hand signed poster), 2015 Offset lithograph poster Pencil signed by Larry Clark on the back 10 1/2 × 15 1/2 inches Unframed Limited edition poster; hand ...

Roe Ethridge Le Luxe II BHGG, Gagosian poster (hand signed, dated and inscribed by Roe Ethridge), 2023 Offset lithograph poster invitation/mailer (hand...

Kehinde Wiley Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004 Portfolio of 18 Separate Color offset lithographs in original black paste board portfolio bo...

Original TAA Trans Australia Airlines vintage travel poster. Linen-backed and ready to frame. TAA Airlines was started in 1946 and was renamed Australian Airlines in 1986. In 1...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

Kitaj’s drawing on pink paper is of a man in profile, wearing a sou’wester: a fisherman’s collapsible rain hat. The image is a wry portrait, ostensibly of Albert Blake...

Printed in a rich terra cotta red on pale pink paper, Orgasm depicts a woman’s head in profile with a dark background. Kitaj was fascinated with the female form, often producing edgy...