David Blackwood

Gram Glover's House on Bragg's Island

1989

David Blackwood, Canadian, 1941-2022 Study for Safe Harbour, 1980 etching, aquatint in colours 5 x 8 in Signed and dated on the lower right: David Blackwood 1980 Numbered and titled ...

David Blackwood, Canadian, 1941-2022 Bragg's Island, 2007 etching, aquatint in colours 5.75 x 4.5 in ( plate size ) signed, titled, dated 2007 and numbered (edition of 50) in the lo...

David Blackwood, Canadian, 1941-2022 Ephraim Kelloway's Door, 1981 etching, aquatint in colours 32 x 20 in Signed, titled, dated 1981 and numbered “artist’s proof ” in the lower mar...

Franklin Arbuckle, Canadian, 1909 - 2001 Near Saint-Jovite, Quebec, 1981 Oil on canvas panel 12 x 16 in 30.5 x 40.6 cm signed lower right; signed, titled verso framed For our US customers: 1) The artwork is shipped from Montreal, Canada; 2) Please note that the Canadian artwork is duty free under the current USMCA (NAFTA) agreement; 3) We can ship via USPS which should be zero import and clearance fees for the receiver; Franklin Arbuckle Biography (1909 - 2001) RCA Arbuckle studied at the Ontario College of Art under J.W. Beatty and J.E.H. MacDonald. He attended summer classes at Franz Johnston's Georgian Bay art...

Artist: Velox Ward, American (1901 - 1994) Title: The Home my Daddy Built from the America: The Third Century Portfolio Year: 1976 Medium: Collotype, signed a...

etching edition of 35 20" x 15" paper size 13" x 10" image size signed, titled and numbered by the artist under the image. COHOE, Grey 1944-1991 PERSONAL: Born 1944, in Tocito, NM...

This print is signed and titled in pencil. A native of Tennessee and a physician, Pittman began to make prints in 1936 in Trenton, New Jersey. However, scene of his home state remain...

Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...