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Nassau County Museum of Art (Sculpture/Jim Dine/Pinocchio) Poster (Signed)2012
2012
About the Item
Artist: (after) Jim Dine (American, 1935-)
Title: "Nassau County Museum of Art (Sculpture/Jim Dine/Pinocchio)"
*Signed by Dine in black marker lower right
Year: 2012
Medium: Original Offset-Lithograph, Exhibition Poster on heavy glossy Kodak paper
Limited edition: Unknown
Printer: Unknown
Publisher: Nassau County Museum of Art, Roslyn Harbor, NY
Sheet size: 24" x 36"
Condition: Has been professionally stored away, rolled within its original tube from the museum for the exhibition since 2012. In mint condition
Though not particularly old, this work is extremely rare
Notes:
Provenance: private collection - East Norwich, NY; acquired directly from the Nassau County Museum of Art, Roslyn Harbor, NY. Poster produced for a special exhibition of Dine's sculptural work "Sculpture/Jim Dine/Pinocchio" at the Nassau County Museum of Art from March 31 - July 8, 2012. The image featured on this poster is Dine's untitled lithograph edition from his 2006 "Pinocchio" portfolio, ("I Print Jim Dine: Catalogue Raisonne of Prints 2001-2020" - Steidl - No. 597, page 330-331).
"Sculpture/Jim Dine/Pinocchio" - Within the galleries and on the sculpture grounds at the Nassau County Museum of Art, Sculpture/Jim Dine/Pinocchio highlights Jim Dine’s recent sculptural work and his lithographs for an illustrated edition of Pinocchio. The museum’s main galleries are devoted to several themes – the artist’s Heart and Venus works, gardening and garpentry tool imagery, and recent Pinocchio sculptures. Several major sculptural works are installed outdoors on the Museum’s expansive 145-acre sculpture park and nature preserve, including The Mountains in the Distance of 1987-88. This iconic bronze work places the Venus de Milo form on its side, abstracting the vertical of the figure to evoke a horizontal of a landscape.
The second floor of the Museum is devoted to Dine’s Pinocchio prints. The impressive Pinocchio series, also published as illustrations to a translation of Carlo Collodi’s original tale, consists of 40 lithographs. The accompanying book concludes with Dine dedicating his work to the adventurous wooden boy: “His poor burned feet, his misguided judgment, his vanity about his temporary donkey ears all add up to the real sum of his parts. In the end it is his great heart that holds me.”
Sculpture/Jim Dine/Pinocchio is sponsored by the Cuchel Family. Additional generous support is provided by The Pace Gallery and Pace Prints, New York. This exhibition is also made possible by the Museum’s Board of Trustees, Museum Council, Contemporary Collectors Circle, Corporate Committee and Museum Members.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Jim Dine is an American artist and poet known for his contributions to the formation of both Performance Art and Pop Art. Employing motifs which include Pinocchio, hearts, bathrobes, and tools, Dine produces colorful paintings, photographs, prints, and sculptures. “I grew up with tools. I came from a family of people who sold tools, and I’ve always been enchanted by these objects made by anonymous hands,” Dine has said. Born on June 16, 1935 in Cincinnati, OH, he studied poetry at the University of Cincinnati before attending the University of Ohio where he received his BFA in 1957. After moving to New York in 1958, Dine became part of a milieu of artists which included Allan Kaprow and Claes Oldenburg, with whom he began to stage performances at sites in the city that later became known as “Happenings.” By the early 1960s, he had switched his focus towards painting, drawing on his interest in popular imagery and commercial objects. Though he was shown alongside Roy Lichtenstein and Andy Warhol, Dine never considered himself a member of the Pop Art movement. The artist currently lives and works between New York, NY and Walla Walla, WA. His works are included in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Bilbao Fine Arts Museum, and the Walker Art Center in Minneapolis, among others.
- Creation Year:2012
- Dimensions:Height: 24 in (60.96 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- After:Jim Dine (1935, American)
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12129597972
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