Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

David Hockney
Inside the castle by David Hockney (Six Fairy Tales from the Brothers Grimm)

1969

About the Item

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image of the story ‘The boy who left home to learn fear’. Hockney chose this story for its obscurity: It was the only story from the Brothers Grimm that he had never read. To illustrate this story, the artist drew from Goya’s aquatints, with their dramatic lighting, and from the bucolic landscapes he observed along Germany’s Rhine river. The main character is in motion, bringing his hand up in nonchalance. Hockney recalls that he sketched it from a horror movie still, ‘London after Midnight’ 1927, in which the abandoned home of long-gone man is taken over by ghouls. Per the British Council: "In this tale a farmer had two sons. The older son was hard working and clever, the younger son whilst stupid and good for nothing was utterly fearless; indeed his only wish in life was to learn to shudder with fear. He was granted his wish and was sent to meet with ghosts and ghouls: first the sexton disguised as a ghost to spending the night with corpses taken down from the gallows to be warmed by a fire, all without a shudder of fear. His fearlessness came to the attention of the King who promised his daughter’s hand in marriage if the younger son could spend three nights in the haunted castle. After enduring three nights of mayhem and horror without a shudder of fear, the younger son and princess married. Although he lived happily with the princess, he still wished he could shudder with fear. One night the princess’s maid crept into his room, pulled back the blankets and threw a bucketful of cold squirming fish onto the sleeping man who woke with a start, and a shuddered in fear." Inside the castle (Six Fairy Tales from the Brothers Grimm) 1969 Etching and aquatint on W S Hodgkinson paper watermarked "DH" and "PP" Plate 10 x 10.4 in / 25.5 x 26.3 cm Paper 17.75 x 16 in / 45.09 x 40.64 cm Unique publisher’s copy aside from the edition of 400 books and 100 portfolios Dot of discoloration on lower right and upper left of sheet This etching is from a unique Publisher’s Copy of the thirty-nine etchings which is aside from the four editions of 100 bound books and 100 portfolios plus proofs. They are printed on the same W S Hodgkinson rag paper watermarked with the artist’s initials DH and the publisher’s initials PP. The prints were originally intended for presentation purposes and are not signed; they are the only unsigned prints with full paper margins in existence.
  • Creator:
    David Hockney (1937, British)
  • Creation Year:
    1969
  • Dimensions:
    Height: 17.75 in (45.09 cm)Width: 16 in (40.64 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Dot of discoloration on lower right and upper left of sheet.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1211215675232

More From This Seller

View All
A room full of straw by David Hockney (Six Fairy Tales from the Brothers Grimm)
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio pictures the story ‘Rumpelstilzchen’. A room full of straw references Magritte’s The To...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

Home David Hockney (Six Fairy Tales from the Brothers Grimm) Clandeboye House
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

Vintage David Hockney Exhibition Poster Ashmolean Museum 1981
By David Hockney
Located in New York, NY
Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...
Category

1980s Modern Interior Prints

Materials

Offset

Vintage Le Corbusier '69 David Hockney Exhibition Poster Kilim southwest rug
By (after) David Hockney
Located in New York, NY
Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...
Category

1960s Realist Interior Prints

Materials

Lithograph

Vintage David Hockney Poster San Francisco Opera 1982, whimsical color drawings
By David Hockney
Located in New York, NY
Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...
Category

1980s Neo-Expressionist Figurative Prints

Materials

Lithograph

Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...
Category

Late 20th Century Abstract Interior Prints

Materials

Etching

You May Also Like

Jewelry Choir Stalls of the Cathedral of St Cecilia, Albi; The Reredos
By John Taylor Arms
Located in Middletown, NY
Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...
Category

Mid-20th Century American Modern Interior Prints

Materials

Etching, Handmade Paper, Aquatint

Stanwick Churchyard
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...
Category

Mid-20th Century American Modern Interior Prints

Materials

Handmade Paper, Etching, Aquatint

Le Chat et Les Fleurs
By Édouard Manet
Located in Middletown, NY
Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...
Category

1860s Realist Figurative Prints

Materials

Aquatint, Etching

Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
By Thomas Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...
Category

Early 19th Century English School Interior Prints

Materials

Handmade Paper, Engraving, Aquatint

ICE CREAM DESSERTS
By Claes Oldenburg
Located in Aventura, FL
Hand initialed and numbered by the artist. Etching and aquatint in colors, on handmade paper. Image size: 13.5 X 21.25 in. Sheet size: 22.5 x 31.25 in. Framed. Edition of 50. Artwor...
Category

1970s Pop Art Figurative Prints

Materials

Handmade Paper, Etching, Aquatint

Scene Galante au XVIII eme Siecle #2
By Antoine Calbet
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
Category

Mid-20th Century Realist Figurative Prints

Materials

Aquatint

Recently Viewed

View All