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David Hockney
Parade Metropolitan Opera 1981

1981

About

In 1979-80, Hockney was invited to design the stage sets for a triple bill at the Metropolitan Opera in New York, consisting of Erik Satie’s Parade, and two others short operas. The canvas for Parade, on which the artist based his poster, is drawn from these designs. The ballet introduces the audience to the world of circuses and street fairs, a theme common in all three works. Parade is freely drawn in bold colors and simple forms portraying circus images. The poster is evidence of Hockney’s growing enthusiasm for the work of Picasso, who, coincidently, designed the original sets for the ballet in 1917. David Hockney, an English painter, printmaker, photographer and stage designer, was born in Bradford, England, where he attended the local School of Art from 1953-1957. He is regarded as one of the most popular and versatile artists of the second half of the twentieth century.

Details

  • Movement & Style
  • Condition
    Good. bottom margin extended into the image 2 inches , expertly repaired, barely visible tear..
  • Dimensions

    H 80.5 in. x W 40.5 in.

    H 204.47 cm x W 102.87 cm

  • Gallery location
    New York, NY
  • Reference number
    LU518134234
  • Seller reference number
    0822

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About David Hockney (Artist)

The art of David Hockney is always engaging in its pleasant ambiguities: It’s warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary- art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.


     Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to ’ 1962. Though he was educated in art a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing. His early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.


     In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and in the past decade has been using the Brush app to paint on an iPad. Because he is prolific and works in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.

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