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David Hockney
It Picks Its Way, from the 'Blue Guitar' portfolio

1977

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    Suite of five relief prints, 2019, on Hahnemühle Aurora paper, signed in pencil on and numbered from the edition of 35 (there were also 8 artist’s proofs), published by PACE NY, 100 ...
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  • Fumeur à la Cigarette Blanche
    By Pablo Picasso
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  • Certificate, from The International Anthology of Contemporary Engraving
    By James Rosenquist
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    Etching on paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. (9.9 x 7.6 in.) Various Artists with George Brecht...
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  • Untitled, from The International Anthology of Contemporary Engraving
    By Red Grooms
    Located in London, GB
    Etching on BFK Rives paper, 1962, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. (9.9 x 7.6 in.) From The International...
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  • Paris sans fin
    By Alberto Giacometti
    Located in London, GB
    First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...
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  • Celia with Green Hat, from the Moving Focus Series
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    Lithograph in colours, 1984, on wove paper, signed and dated in pencil, numbered from the edition of 98, printed and published by Tyler Graphics, Ltd., Bedford, New York, 74.9 x 55.8...
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