Deming King Harriman

Surreal Grail VIII (halo, robe, sun overhead)

2019

Surreal Grail VI (halo, starry arch) 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic / Human Figure...

Surreal Grail IX (indigo headpiece, eyes), 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic / Human ...

Surreal Grail V (cup overflowing, wings), 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic / Human F...

Surreal Grail II (seated lady green, dawn) 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic / Human ...

Paul Riba (American, 1912-1977) The Sun Oil on masonite Signed lower right, titled verso 14 x 21.5 inches 20.75 x 28.25 inches, framed Paul Riba was a painter of Magic Realism. He ...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

This painting, like each of the paintings in the Purple Dawn series, is based on an earlier work that was lost or destroyed in the course of time. Feeling that I wanted to finish wha...

This painting, like each of the paintings in the Purple Dawn series, is based on an earlier work that was lost or destroyed in the course of time. Feeling that I wanted to finish wha...