Domenico Purificato

Still Life - screen print By Domenico Purificato - 1970s

1970s

Still Life is an original print realized by the Italian artist Gianni Testa (1936) in 1986. Original mixed colored serigraph. Hand-signed by the artist on lower right. Numbered on...

Still Life is an original screen print on paper realized signed "Piscini" and realized in the late 20th Century. Hand-signed in pencil on the lower margin. Good conditions. Beaut...

Lemons is a screen print realized by Leo Guida in 1972s. Good condition, no signature, titled with pencil. Artist sensitive to current issues, artistic movements and historical tec...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Still Life is an original contemporary artwork realized in the 1950s by the Italian artist Luigi Servolini (Livorno, 1906 – Livorno, 1981). Original screen print. Signed on the lower right corner and numbered in the opposite corner 2/125. Good condition. Artist proof. Luigi Servolini (Livorno, 1906 – Livorno, 1981). He graduated in Literature at the University of Pisa, then he graduated at the Academy of Fine Arts in Carrara, then he specialized in History of Medieval and Modern Art at the University of Florence. Since that time he has held various roles within the Italian academic world. In 1935 he promoted the creation of a Museum of Xylography in Carpi, the birthplace of the master Ugo da Carpi...

Still Life is an original contemporary artwork realized in the 1950s by the Italian artist Luigi Servolini (Livorno, 1906 – Livorno, 1981). Original screen print. Signed on the lower right corner and numbered in the opposite corner 7/125. Good condition. Luigi Servolini (Livorno, 1906 – Livorno, 1981). He g raduated in Literature at the University of Pisa, then he graduated at the Academy of Fine Arts in Carrara, then he specialized in History of Medieval and Modern Art at the University of Florence. Since that time he has held various roles within the Italian academic world. In 1935 he promoted the creation of a Museum of Xylography in Carpi, the birthplace of the master Ugo da Carpi...

In medieval universities, the trivium comprised the three subjects that were taught first: grammar, logic, and rhetoric. The word is a Latin term meaning "the three ways" or "the thr...

Roy Lichtenstein (New York, 1923 – 1997) Still Life with Picasso. From: Hommage à Picasso. 1973. Colour silkscreen on strong vellum. Size: 72 ...

The Most Important Film Ever Made, 1972 Color screen print and collage, from the edition of 70. 15 x 17 in 38.1 x 43.2 cm Published by the artist with Marlborough Graphics at the Kelpra studio in 1972. This work is also in the collections of TATE London and the Victoria & Albert Museum. the price reflects the fact that there is no backing page. Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed lithograph and silkscreen book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait. R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...

Wes Lang (American, b. 1972) Thoughts For The Free Life #15, 2023 Medium: Screen print on Somerset 280/gsm paper Dimensions: 58.4 × 91.4 cm (23 x 36 in) Edition of 100 + 15 AP: Hand-...

Jonas Wood (American, b. 1977) Bonsai, 2021 Medium: 13-color screen print on rising museum board Dimensions: 71.1 × 58.4 cm (28 × 23 in) Edition of 200: Hand-signed and numbered

Blood Roses by Rosie Emerson Hand signed by the artist Limited Edition Silkscreen Print Edition of 10 +2 AP’s Sheet Size: H 75cm x W 55cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Blood Roses is a limited edition figurative print by Rosie Emerson. This piece is a hand painted charcoal and Bronze powder screen print on 300gsm Somerset Satin Printmaking Paper. The style of the work is evocative of the prohibition era. Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and a painters palette to create one off pieces which aim to be simultaneously known and unknown; of this world and not. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...