Items Similar to Chicago International Art Exposition poster (Hand Signed by Ed Ruscha)
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Ed RuschaChicago International Art Exposition poster (Hand Signed by Ed Ruscha)1983
1983
About the Item
Ed Ruscha
Chicago International Art Exposition (Hand Signed by Ed Ruscha), 1983
Offset Lithograph. Pencil Signed and dated. Unframed.
Signed and dated by Ed Ruscha in graphite pencil lower right.
39 × 27 1/2 inches
Unframed
This vintage hand signed Ed Ruscha offset lithograph, from the "Chicago International Art Exposition, Art 85 Chicago, May 19-24, Navy Pier", features "A Fan and its Surroundings". It is printed on lithographic paper rather than smooth wove paper with elegant edges which makes it especially desirable. Signed and dated 1983 by Ed Ruscha in pencil lower right front. It is very rare and collectible when hand signed. There aren't too many of these - hand signed as this - to be found. Unframed and in very good condition.
Provenance:
Navy Pier Chicago
Acquired from the private estate of an important Pop Art poster collector
About Ed Ruscha:
There are things that I’m constantly looking at that I feel should be elevated to greater status, almost to philosophical status or to a religious status. That’s why taking things out of context is a useful tool to an artist. It’s the concept of taking something that’s not subject matter and making it subject matter.
—Ed Ruscha
At the start of his artistic career, Ed Ruscha called himself an “abstract artist ... who deals with subject matter.” Abandoning academic connotations that came to be associated with Abstract Expressionism, he looked instead to tropes of advertising and brought words—as form, symbol, and material—to the forefront of painting. Working in diverse media with humor and wit, he oscillates between sign and substance, locating the sublime in landscapes both natural and artificial.
In 1956, Ruscha moved from Oklahoma City to Los Angeles, where he attended the Chouinard Art Institute. During his time in art school, he had been painting in the manner of Franz Kline and Willem de Kooning, and came across a reproduction of Jasper Johns’s Target with Four Faces (1955). Struck by Johns’s use of readymade images as supports for abstraction, Ruscha began to consider how he could employ graphics in order to expose painting’s dual identity as both object and illusion. For his first word painting, E.Ruscha (1959), he intentionally miscalculated the space it would take to write his first initial and surname on the canvas, inserting the last two letters, HA, above and indicating the “error” with an arrow. After graduation, Ruscha began to work for ad agencies, honing his skills in schematic design and considering questions of scale, abstraction, and viewpoint, which became integral to his painting and photography. He produced his first artist’s book, Twentysix Gasoline Stations—a series of deadpan photographs the artist took while driving on Route 66 from Los Angeles to Oklahoma City—in 1963. Ruscha since has gone on to create over a dozen artists’ books, including the 25-foot-long, accordion-folded Every Building on the Sunset Strip (1966) and his version of Kerouac's iconic On the Road (2009). Ruscha also paints trompe-l’oeil bound volumes and alters book spines and interiors with painted words: books in all forms pervade his investigations of language and the distribution of art and information.
Ruscha’s paintings of the 1960s explore the noise and the fluidity of language. With works such as OOF (1962–63)—which presents the exclamation in yellow block letters on a blue ground—it is nearly impossible to look at the painting without verbalizing the visual. Since his first exhibition with Gagosian in 1993, Ruscha has had twenty-one solo exhibitions with the gallery, including Custom-Built Intrigue: Drawings 1974–84 (2017), comprising a decade of reverse-stencil drawings of phrases rendered in pastel, dry pigment, and various edible substances, from spinach to carrot juice. The first retrospective of Ruscha’s drawings was held in 2004 at the Whitney Museum of American Art. Ruscha continues to influence contemporary artists worldwide, his formal experimentations and clever use of the American vernacular evolving in form and meaning as technology and internet platforms alter the essence of human communication. Ruscha represented the United States at the 51st Venice Biennale (2005) with Course of Empire, an installation of ten paintings. Inspired by nineteenth century American artist Thomas Cole’s famous painting cycle of the same name, the work alludes to the pitfalls surrounding modernist visions of progress. In 2018 Ruscha’s Course of Empire was presented concurrently with Cole’s at the National Gallery in London.
Courtesy of Gagosian Gallery
- Creator:Ed Ruscha (1937, American)
- Creation Year:1983
- Dimensions:Height: 39 in (99.06 cm)Width: 27.5 in (69.85 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213393492
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
289 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Early 1970s poster from Annely Juda Gallery, London (hand signed by Christo)By Christo and Jeanne-ClaudeLocated in New York, NYChristo and Jeanne-Claude Christo (Hand Signed by Christo), 1971 Offset lithograph Hand signed in pencil by the artist on the lower right front Published by Annely Juda Gallery, Lond...Category
1970s Pop Art Figurative Prints
MaterialsOffset, Lithograph
- Once in a Lifetime (rare theatrical poster from mid 1970s designed by Ed Ruscha)By Ed RuschaLocated in New York, NYEd Ruscha Once in a Lifetime, 1975 Offset lithograph poster on thin board Frame included: This work is elegantly floated and framed in a museum quality white wood frame with UV plexi...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Offset, Board
- Deluxe signed & numbered lithograph for the Hirshhorn Museum & Sculpture GardenBy Robert IndianaLocated in New York, NYROBERT INDIANA Hirshhorn Museum & Sculpture Garden Opening Exhibition (Signed & Numbered Edition), 1974 Lithograph on wove paper 32 × 26 inches Signed and numbered 4/100 in pencil on...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Offset
- The Prisoner, for Amnesty InternationalBy David HockneyLocated in New York, NYDavid Hockney The Prisoner, for Amnesty International, 1977 Color Offset Lithograph Hand signed, numbered 17/100 and inscribed by the artist on the lower right front Elegant hand mad...Category
1970s Pop Art Figurative Prints
MaterialsLithograph, Offset
- RAUSCHENBERG (Scarce and collectible early invitation)By Robert RauschenbergLocated in New York, NYRobert Rauschenberg and Cris Gianakos RAUSCHENBERG (Scarce and collectible early invitation), 1970 Offset Lithograph Invitation 8 7/10 × 11 9/10 inches Unframed Offset lithograph invitation created on the occasion of Robert Rauschenberg's exhibition at SVA's Visual Arts Gallery in 1970. The poster was designed by Cristos Gianakos, who was also a professor at SVA, and the show was curated by Felice Wender, the director of Dayon's Gallery 12 in Minneapolis. The invitation states that "after completing its New York debut, the show will open at the School of the Art Institute of Chicago in January 4, 1971 and continue through January 29, 1971. In May, 1971, Dayton's Gallery 12, Minneapolis, Minnesota will exhibit the new Rauschenberg works..." The text on this invitation additionally states that Rauschenberg said in a written statement about these works: "The image and the words cooperate to construct a flat re-reading of the facts plus familiar passing insignificancies that control our day. Information, originally engaged in a daily rhetorical screen to eliminate as much direct feeling and response as possible, re-exposed to encourage consideration..." In nearly a decade and a half of buying and selling art...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Offset
- The Wrapped (MCA), Chicago 1969 (Limited Edition of 200, Hand Signed by Christo)By Christo and Jeanne-ClaudeLocated in New York, NYChristo and Jeanne-Claude The Wrapped (MCA), 1969 (Hand Signed), 2019 Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil stamp. Hand Signed by Christo 22 3/5 × 30 inches Edition of 200 Hand-signed by artist, Signed in graphite pencil by Christo on the front. Also elegant gold foil stamp. Unnumbered from the documented limited edition of only 200 Published by Museum of Contemporary Art, (MCA) Chicago Unframed A great gift for anyone with ties to Chicago! This limited-edition, hand signed offset lithograph on 110 lb. Crane Lettra Cover stock commemorates Christo's exhibition "Wrap In Wrap Out", which took place at the MCA’s original location on 237 East Ontario Street, Chicago. The project became the first public building Christo and his wife, Jeanne-Claude, wrapped in the United States. In an illuminating 2010 article entitled, "A daring plan to wrap a Chicago museum raises city ire – and makes art history," author Robin Amer recounts how Christo came to choose Chicago -- or rather how Chicago chose New York based artist Christo: "During a recent conversation he [Christo] ticked off the list of buildings he approached in downtown Manhattan starting in 1961. “Number 2 Broadway, number 20 Exchange Place,” he recalled. “We tried to wrap a building at Times Square. They all said no. Christo said he quickly realized that his best hope to wrap a building – his first in North America – would be to wrap a museum, which might be more amenable to his strange proposition.Christo and Jeanne-Claude approached New York’s Museum of Modern Art in 1967. The museum was interested, but Christo said they failed to secure permission for the show from the New York Fire...Category
1960s Pop Art Abstract Prints
MaterialsFoil
You May Also Like
- Milton Glaser San Diego Jazz Festival 1983 (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NY1980s Milton Glaser Poster Art: San Diego Jazz Festival: Vintage original Milton Glaser poster c.1983. Designed by Milton Glaser on the occasion of the San Diego Jazz Festival, a Pacific Coast event depicted with a suit-and-sandal clad bear at dusk. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the saxophone. Offset lithograph poster in colors. 24x36 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. A suit-and-sandal bear heralds this Pacific Coast event with a serenade with a beautiful sunset. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the sax. Literature: Milton Glaser Posters Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Milton Glaser Juilliard 1990 (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NY1990s Milton Glaser Poster Art: Juilliard: Vintage original Milton Glaser poster c.1990. Designed by Milton Glaser on the occasion of Juilliard School of Music at New York’s at the Lincoln Center. Beginning in 1987, the audio-tape manufacturer TDK underwrote a series of annual posters for Juilliard at New York’s Lincoln Center. Glaser has designed all the posters. Here, in the fourth, the lightning power of music brings a carefully-painted Dutch floral still life...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Milton Glaser Brooklyn Center for the Performing Arts (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NY1980s Milton Glaser Poster Art: Milton Glaser Brooklyn Center for the Performing Arts at Brooklyn College: Vintage original Milton Glaser poster c.1984. Designed by Milton Glaser on the occasion of the 30th anniversary of the Brooklyn Center for the Performing Arts at Brooklyn College. In this piece Glaser creates music and dance incarnate: A colorful figure appears headless, its torso formed...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Basquiat Gray 1980By Jean-Michel BasquiatLocated in NEW YORK, NYJean-Michel Basquiat (untitled) Gray 1980: An exceptionally rare 1980 flyer created by Basquiat for his band, GRAY. Literature: Jean-Michel Basquiat 1981: The Studio of the Street', (Deitch, Cortez, Vassell): Seeing Loud: Basquiat and Music (Buchhart, Bessières, Desmarais). Further background as follows: Basquiat illustrated & printed this work much in the manner of his well-documented, Anti-Product Cards and several other xerox collages of this period: here, Basquiat draws over a found image, then employs his famous William Burroughs style 'cut-up' technique; completing the piece by abstractly scrawling the word, 'Gray' above. RARE & not be to be passed on. Medium: Color Xerox on paper. 1980. Dimensions: 8.5 x 11 inches. Condition: Good overall vintage condition; scattered soiling marks; minor signs of handling & aging; typewriting on the reverse; minor corner bending in one or more places. Unsigned from an edition of unknown; few known to have survived. Provenance: Obtained directly from a prominent Basquiat Gray...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Milton Glaser Sony Tape, Full Color Sound poster 1980 (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NYMilton Glaser Sony Tape, Full Color Sound poster 1980: Vintage original 1980s Milton Glaser poster designed by Glaser for the world-recognized brand Sony. A classic Milton Glaser advertising design featuring the profile of a 19th-century music listener silhouetted against music liner paper. Offset lithographic poster in colors. 30 x 45 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Milton Glaser printed signature upper left; from an edition of unknown. Literature: Milton Glaser Posters, Glaser, pg. 251. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...Category
1960s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Milton Glaser Bach poster (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NYMilton Glaser: Vintage original 1980s Milton Glaser poster designed by Glaser on the occasion of the release of Bach's complete keyboard works on digital recording. A timeless, highly decorative vintage Milton Glaser poster that is sure to stand out in any setting. Offset lithograph poster in colors. 36 x 24 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Unsigned from an edition of unknown. Literature: Milton Glaser Posters, Glaser. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration and Chinese drawings. As a co-founder of New York magazine, Glaser designed...Category
1960s Pop Art Figurative Prints
MaterialsLithograph, Offset
Recently Viewed
View AllMore Ways To Browse
Ten Fold
Vintage Navy Poster
Female English Painter 21 Century Characters
Leech Vintage
Matisse Bal
Orient Deluxe
Peter Max Swami
Pursuit Man O War
Vintage Yves Saint Laurent Poster
Wassily Cow
Wood Green Lunch Box
1945 Swiss Made Music Box
Andy Warhol Soup Dress
Antique Curtain Pole
Antique Japanese Cut Paper Out Art
Brutal Bed
Chagall Rooster
Friday The 13th