Eugene Fitsch

Broadway Night (Times Square)

1932

A superb, richly inked impression, on off-white wove paper; the full sheet, with deckel all around (margins 1 to 2 inches) in excellent condition. Signed, dated, titled and annotated...

2-color lithograph, edition 35, 1944, Fine and Looney 233. Signed, dated, titled and annotated 'Ed 35' in pencil. Initialed 'BS' in the image, lower right. A superb, richly inked im...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A...

Louis Lozowick, 'Backyards of Broadway ( Waterfront I )', lithograph, 1926, edition 10, Flint 7. Signed in pencil. A fine, richly-inked impression, on BFK Rives off-white, wove paper...

Louis Lozowick, 'Corner of Steel Plant', lithograph, 1929, edition 25, and 10 printed in 1972; Flint 21. Signed, titled, dated, and numbered 'I/X' in penci...

A wonderful print by African American artist, Charles White (1918 - 1979) "Blues" Color lithograph on Rives paper, 1971. 11.5 x 26.75 inches (28.55 x 68.7 cm) Signed, titled, date...

Artist: Fletcher Martin (American, 1904-1979) Title: Toe to Toe Year: 1942 Medium: Lithograph, signed in pencil Edition: 250 Image Size: 12.5 x 9.5 in. (31.75 x 24.13 cm) Frame: 25 x...

A fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...

A fine impression with large full margins published by Associated American Artists.

Shepard FAIREY (Obey Giant) American Dreamer Original lithograph (Mourlot / Idem workshop) Handsigned in pencil, see our last pricture : Shepard Fairey signing the lithographs in Id...

Alexandre Calder (1898 - 1976) Tribute to the Victims, 1967 Lithograph on offset background (Arte atelier) Printed signature in the plate On paper 75 x 44.5 cm (c. 29.5 x 17.3 inch) Original vintage poster INFORMATION: Published by Maeght on the occasion of the artist's exhibition "Pour le Viet Nam...