Félix Bracquemond

Vanneux et Sarcelles - Etching by Félix Bracquemond - Late 19th Century

Late 19th Century

Canards Sauvages is a black and White etching realized by Jules Herau in the Late 19th Century.  Titled in the lower Image Size: 32x24 Very good impression. Realized by Cadart fo...

Les Taupes is a black and White etching realized by Félix Bracquemond in the 1860s.  Titled in the lower. Image size: 27x19. Very good impression with wide margins and a very fres...

Etudes en Languedoc is a black and white etching realized by Francisque de Saint-Etienne (1824-1885) in 1870s. Titled in the lower. Top image size: 16cmx11cm. Image below size: 15...

La Champagne is an artwork realized by Charles Jaque in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher A...

Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on japon paper was printed by Francois Lienard in 1875 (before letters were added) ...

Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Printed in 1902 and published by the Revue ...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Herman Hyneman (American, 1849-1907) Untitled, c. 1880 Engraving Sight: 13 x 8 1/2 in. Framed: 26 1/2 x 20 1/2 x 3/4 in. Signed bottom The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...