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Félix Vallotton"Ah! la Pe . . . la Pe . . . la Pepiniere" from Les Maitres de l'Affiche
$400
£307.18
€352.03
CA$563.10
A$630.80
CHF 328.70
MX$7,694.43
NOK 4,177.06
SEK 3,938.67
DKK 2,627.44
About the Item
VALLOTTON, F.
(1865 - 1925)
"Ah! la Pe . . . la Pe . . . la Pepiniere"
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #30, 1898. Plate #119
Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month
for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued
as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name
“Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at
the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “It has been the good fortune of Vallotton to produce at least one poster which is excellent from every point of view. Nothing more appropriate to the advertisement of a frivolous burlesque than his…
’Pepiniere’ could well be imagined. It represents a characteristic audience at a theatre convulsed in
laughter at what is taking place on the stage. The variety of expression on the faces of the spectators
is infinite, and the effect of the whole thing is as mirthful as may be. From the advertiser’s point, I can
conceive nothing more completely satisfactory” (Hiatt p.123, 124)
- Creator:Félix Vallotton (1865 - 1925, French, Swiss)
- Dimensions:Height: 15.75 in (40.01 cm)Width: 11.25 in (28.58 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:Unknown edition sizePrice: $400
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hinsdale, IL
- Reference Number:Seller: 17261stDibs: LU138427289902

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"Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...
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