Ferdinand the elder Piloty

Two Profiles - Etching by Ferdinand the Elder Piloty

19th Century

The profiles of men and women is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...

The Physiognomy - The Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...

Profiles is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, B...

The Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind",...

The engraving by D. Beauvais, part of the "Recueil de XC Têtes" series, presents a compelling juxtaposition of two heads: an elder, bearded man on the left, and a youthful, cherubic ...

The engraving presented here exhibits two male figures, each bearing a unique expression and hairstyle, likely echoing the artistic style of Raphael's Renaissance works. On the left,...

Title: "Classical Profiles: Raphael's Vision by Nicolas Pigné, 1740" This is an original engraving from 1740 by Nicolas Pigné, after a painting by Raffaello Sanzio da Urbino, known ...

Sketch of a Man in Profile 17th Century French School Ink on paper Image Size: 10 1/2 x 7 inches (26.5 x 17.5 cm) Framed Provenance The estate of Joseph McCrindle Christies Old Masters and British Pictures and Old Master Drawings Sale 12th December 2008 This highly worked picture shows us a man depicted in profile is seen interacting with a scene that extends beyond the boundaries of the paper's composition, the pen strokes intricately portraying the man's face, rendering a detailed, textured complexion. He points his left hand out to something in the distance, with a look of almost alarm. The artist Giovanni Benedetto Castiglione (1609-64) did a series of oriental head studies. The exotic headgear that he wears and this type of oriental head studies, had its principal source was of course Rembrandt, who etched many similar heads during the 1630s. In the seventeenth-century Western European imagination, the turbaned figure represented the epitome of alterity: the Ottoman Turk. Ottoman costume...