La Vache et la Chaise - Lithograph after Fernand Léger - 1959

1959

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

Composition is a screen print realized after Fernand Léger in the mid-20th Century. Monogrammed in plate and hand numbered in pencil lower right. The composition is part of a colle...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

In this bustling print, Pablo Picasso creates an energetic and complex scene featuring a female nude in the background with a small white-painted face beside it on the right, while a...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Femme dans un Fauteuil”, which recently sold at auction for $10 million USD. The original painting was completed in 1948. In the 1970’s after Picasso’s death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer’s chop, lower left. Femme dans un Fauteuil Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph Collection...

Georges Braque, After, French (1882 - 1963) - Torero, Year: 1950 (later printing), Medium: Lithograph, signed in the plate, Image Size: 20 x 13.5 inches, Frame Size: 30 x 23.5 in...

Seated in an armchair, the woman in this Pablo Picasso print appears fragmented and disjointed due to the artist’s integration of multiple perspectives. A lithograph from the Marina ...