Still life with Journal and Flowers - Lithograph and Stencil, 1959
Fernand LégerStill life with Journal and Flowers - Lithograph and Stencil, 19591959
1959
About
Details
- Creator:Fernand Léger (1881-1955, French)
- Creation Year:1959
- Dimensions:Height: 19.77 in (50.2 cm)Width: 15.75 in (40 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU464310546462
About the Artist
Fernand Léger
A painter as well as a filmmaker, illustrator, stage-set designer, ceramicist and printmaker, Fernand Léger was one of the most prolific artists of the first half of the 20th century. His early mature work as a Cubist was marked by the use of bold colors and contrasts and a visual vocabulary inspired by industrial technology. In his later career, Léger turned to idiomatic, almost naïve depictions of human figures, in a belief that his work should be accessible to ordinary people and relevant to their lives.
Born in Normandy, the son of a cattle trader, Léger worked as an architectural draftsman in Paris while studying art. By 1908 he was a member of an artistic circle that included Marc Chagall, Robert Delaunay, sculptor Jacques Lipchitz, and the poet Guillaume Appolinaire, and through them he became connected to the Cubists. As opposed to the flat planes and neutral hues seen in the paintings of Pablo Picasso and Georges Braque, Léger’s Cubist abstractions were devised with vivid colors and forms that had dimensionality. Soon after his army service in World War I — he was gassed at the Battle of Verdun — Léger entered his “mechanical” period. Convinced that technology would improve the human condition, he painted compositions of tubular shapes and cylinders that are reminiscent of machine parts. In other work, Léger sought to capture the bustle and brio of modern life with references to railroad stations, factories, street signs and billboards.
Léger had also emerged from the trenches with a deep concern to make his art engage the sorts of men and women he had met during the war. He sought to bring his work to a wider audience through film, theater sets and book illustrations. In the 1920s, influenced by Purism — a variant on Cubism that promoted a simpler and more direct approach to forms and compositions — Léger produced a series of paintings depicting everyday objects: a soda siphon, an accordion, a guitar and vase. The human figure returned to his work. By 1930, pure abstraction disappeared almost completely from Léger’s art in favor of simple studies of people. Their boldly outlined forms, placed against a bright background, can be regarded as an assemblage of parts — yet in these representations of dancers, acrobats and folks on bicycles, Léger seems to be articulating a kind of kinship and affection. You will see from the works on offer why Fernand Léger is often regarded as the warmest and most humane of the great modern artists.
Find a collection of original Fernand Léger art today on 1stDibs.
- Tea Time : The Samovar - Lithograph and Stencil, 1959By Fernand LégerLocated in Paris, FRFernand LÉGER Tea Time : The Samovar, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 38,9 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959...Category
1950s Modern Figurative Prints
MaterialsLithograph, Stencil
- Chair, Hat and Cow - Lithograph and Stencil, 1959By Fernand LégerLocated in Paris, FRFernand LÉGER Chair, Hat and Cow, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 38,9 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...Category
1950s Modern Figurative Prints
MaterialsLithograph, Stencil
- Happy People : The Parade - Lithograph and Stencil, 1959By Fernand LégerLocated in Paris, FRFernand LÉGER Happy People : The Parade, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 39,5 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...Category
1950s Modern Figurative Prints
MaterialsLithograph, Stencil
- Wife of the Toreador - LithographBy (after) Pablo PicassoLocated in Paris, FRPablo Picasso (after) Wife of the Toreador Lithograph and stencil Signature printed in the plate Numbered / 500ex On Arches Vellum 42 x 53 cm (c. 17 x 21 inch) From the portfolio...Category
1960s Modern Figurative Prints
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- Studies of Toreador and Nude Woman - LithographBy (after) Pablo PicassoLocated in Paris, FRPablo Picasso (after) Studies of Toreador and Nude Woman Lithograph and stencil Signature printed in the plate Numbered / 500ex On Arches Vellum 42 x 53 cm (c. 17 x 21 inch) From ...Category
1960s Modern Figurative Prints
MaterialsLithograph, Stencil
- Toros : Conversation of a Toreador and Two Women - LithographyBy (after) Pablo PicassoLocated in Paris, FRPablo Picasso (after) Conversation of a Toreador and Two Women Lithograph and stencil Signature printed in the plate Numbered / 500ex On Arches Vellum 41.8 x 53.2 cm (c. 16.14 x 21...Category
1960s Modern Figurative Prints
MaterialsLithograph, Stencil
- "French Air Show with Remarque of Head of Pilot, " Lithograph & Stencil by GAMYBy Marguerite MontautLocated in Milwaukee, WI"French Air Show with Remarque of Head of Pilot" is an original lithograph and stencil print by Marguerite Montaut (GAMY). It depicts an early airplane flying above a crowd of specta...Category
1910s Modern Landscape Prints
MaterialsLithograph, Stencil
- Soins Tyranniques - Original Lithograph and Pochoir by F. Bouchot - Mid 1800By Frederic BouchotLocated in Roma, ITAmusing original colored lithograph with pouchoir details, representing a father talking to his daughter. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 12, from the series, Soins Tyranniques, Aubert and C.ie, Paris. Signed on plate, on lower-left margin. With the printed capture on lower margin: "Chère enfant, tu es en âge de te marier, l'agitation de ton ésprit, tes émotions inquiètes et vagues; tout m'annonce que ton coeur s'épanouit..... J'ai fait pour toi...Category
Mid-19th Century Modern Figurative Prints
MaterialsLithograph, Stencil
- Miroir de Paris, n. 11 - Original Lithograph by E. J. Pigal - 19th CenturyLocated in Roma, ITMiroir de Paris n. 11 is a satirical illustration by the French draftsman Edmé-Jean Pigal (1798-1872). Original colored lithograph with pouchoir details. In very good condition. ...Category
19th Century Modern Figurative Prints
MaterialsStencil, Lithograph
- Souvenirs Grotesques - Original Lithograph and Pochoir by F. Bouchot - 1835By Frederic BouchotLocated in Roma, ITAmusing original colored lithograph with pouchoir details. Satiric illustration by Frédéric Bouchot (1798- 1865), published on Souvenirs Grotesques, d'Aubert and Cie Publishing, P...Category
1830s Modern Figurative Prints
MaterialsLithograph, Stencil
- Trop-Tôt - Original Lithograph and Pochoir by F. Bouchot - First Half of 1800By Frederic BouchotLocated in Roma, ITAmusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 2, from the suite of 10 lithographs, Tr...Category
Early 19th Century Modern Figurative Prints
MaterialsLithograph, Stencil
- pochoirBy (after) Auguste RodinLocated in Henderson, NVMedium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 9 1/2 x ...Category
1940s Figurative Prints
MaterialsLithograph, Stencil
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