Franciszek Bunsch

A conversation - Black and white linocut, Figurative, Horizontal

20`5

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda.

Black and white with pale orange figurative linocut print by Polish artist Franciszek Bunsch. Print comes from limited edition, it is numbered and signed by the artist. FRANCISZEK ...

Contemporary black and white linocut print by Polish artist Franciszek Bunsch. It is a kind of a surrealistic portrait composed as it is a portrait that is being held by some charact...

Black and white contemporary figurative linocut print by Polish artist Franciszek Bunsch. Artwork is titled 'Ophelia' and it may refer to mythology or Shakespear's 'Hamlet'. Print is...

Deux Femmes près de la fenetre is a linocut print realized in smaller size after a linocut by Pablo Picasso of 1959 . Very good conditi...

"Fifty Years Later" - Linocut Print on Paper 1/10 A silhouetted image of a person's profile dropping their ballot into a voting box. The simple shapes, t...

Tyger, Tyger, Burning Bright… by Kate Willows [2016] limited_edition Ink on paper. Edition number 40 Image size: H:20 cm x W:30 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This piece is inspired by William Blake's poem 'TheTyger'. I design the image in my sketchbook and then transfer it to lino, which I hand-carve. Each print is handprinted in my studio using a roller press. As each print is individually handprinted, there may be slight variations in tone and colour. This print is made using gold oil-based ink as a background and then printed over with the tiger in dark purple ink. Each print has the title, edition number and my signature hand-written beneath the image. Sun Lion...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed "In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture" Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...