Items Similar to Ghent Scarf
Want more images or videos?
Request additional images or videos from the seller
1 of 12
General IdeaGhent Scarf1984
1984
About the Item
General Idea formed in 1967 in Toronto and over the next nearly 30 years, the trio made a remarkable contribution to post-modern art.
With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social and art-world issues including consumerism, media consumption, the cult of the artist, and AIDS.
General Idea was both prolific and multi-disciplinary (way before it became de rigueur) creating works in a wide range of media including photography, sculpture, painting, mail art, video, performances, installations, and (perhaps most notably) artist multiples.
‘Ghent Flag’ was created in 1984 to coincide with a General Idea exhibition at the Museum Van Hedendaagse Kunst, Gent. The boxed work contains their version of the city of Ghent's flag. However, they replaced the lion with a poodle, a recurrent symbol in General Idea’s practice that is both cute and subversive.
The reception of this work was controversial. One of the artists, AA Bronson, explained, “City hall is in an uproar—the mayor has made a public statement in favor of poodles (poodles are alert while lions sleep)—the papers love it—today the Minister of Tourism was caricatured in the paper as a General Idea poodle. Today 50 full-size flags go up around the city.”
The box also contains two sheets with a short text in English and Flemish by Jan Hoet, the founder of the S.M.A.K. in Ghent, Belgium.
Questions about this piece? Contact us.
Visit our Toronto gallery on Thursdays or by appointment.
Ghent Scarf, 1984
From an edition of 500
Screenprint on nylon, 2 title sheets (offset on paper)
Black card box with gold hot-stamp lettering
10"W 10"H (box)
30"W 30"H (scarf)
33"H 31"W (framed)
Published by Museum Van Hedendaagse Kunst, Germany
Produced to accompany the exhibition General Idea, Gent, 24 November 1984 – 6 January 1985, and reproduces General Idea’s Ghent flag in miniature.
Excellent condition
- Creator:
- Creation Year:1984
- Dimensions:Height: 30 in (76.2 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Toronto, CA
- Reference Number:
About the Seller
4.8
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2009
1stDibs seller since 2015
173 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Toronto, Canada
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Passion Over ReasonBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- CornucopiaBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- Down the DrinkBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- Dr. Brute's ShieldBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- The Honeymoon is OverBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints that celebrates some of General Idea's defining and most beloved motifs by situating them on a crest. This showcases their clever blend of historical fantasy and invented patrimony. Many of these self-mythologizing crests debuted in 1986 during their exhibition at the Albright-Knox Art Gallery in Buffalo entitled: The Armoury of the 1984 Miss General Idea Pavillion. This series is a defining example of one of General Idea's most iconic motifs, the crest, which showcases their clever blend of historical fantasy and invented patrimony. Centered on a handpainted background, "The Honeymoon...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
- EYEYEYEBy General IdeaLocated in Toronto, OntarioIn 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...Category
1980s Post-Modern Figurative Prints
MaterialsScreen
You May Also Like
- Christo, Monuments: Portfolio with Ten Prints and One Sculpture, Signed OriginalBy Christo and Jeanne-ClaudeLocated in Hamburg, DEChristo's portfolio of 10 prints and a scale model sculpture of the ‘5,600 Cubic Meter Package’ for Documenta 4 in Kassel, 1968 (height 68 cm). Sold in white vinyl portfolio box. The...Category
1960s Conceptual Figurative Prints
MaterialsMetal
- AI WEIWEI - CEDAR (LARGE) Chinese Modern Activism Tree Tradition Ink WhiteBy Ai WeiweiLocated in Madrid, MadridAi Weiwei CEDAR (LARGE) Date of creation: 2022 Medium: Screenprint on Somerset Velvet Antique paper Edition: 50 Size: 70.5 x 55.5 cm Condition: In mint conditions, brand new and nev...Category
2010s Conceptual Figurative Prints
MaterialsPaper, Screen
- Graphisms & 6. 1980, paper, silk screen, 15, 5x28 cmLocated in Riga, LVGraphisms & 6. 1980, paper, silk screen, 15,5x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoi...Category
1980s Conceptual Animal Prints
MaterialsScreen, Paper
- Graphisms & 14. 1980, paper, silk screen, 15x22.5 cmLocated in Riga, LVGraphisms & 14. 1980, paper, silk screening, 15x22.5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. O...Category
1980s Conceptual Animal Prints
MaterialsPaper, Screen
- The New Year graphisms & 13. 1979, paper, silk screen, 15, 5x21, 5 cmLocated in Riga, LVThe New Year graphisms & 13. 1979, paper, silk screen, 15,5x21,5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga A...Category
1970s Conceptual Animal Prints
MaterialsPaper, Screen
- "If Elections Were Held Today" from the Castelli Sonnabend CollectionLocated in New York, NYHans Haacke "If Elections Were Held Today" from the Castelli Sonnabend Collection, 1973 Silkscreen in portfolio sleeve of Crane's bond paper No. 1. Stamped and numbered. Unframed in ...Category
1970s Conceptual Abstract Prints
MaterialsScreen
