Georg Lemberger

Matthew the Evangelist

Pieter Nolpe (Dutch, 1613-1653) after Pieter Jansz Quast Man on skates carrying a basket, from a set of twenty four Peasants and Beggars engraving 7.3/4 x 6.1/4 in. (19.7 x 16 cm.) P...

Julius Goltzius (Dutch c.1550-1595) Mein Greit; Mein Greit Engraving 6.5/8 x 11.3/8 in. (16.8 x 29 cm.) (measured to slip edge) Christie’s have suggested this impression is from the ...

After Antoine Waterloo (Dutch, 1609 – 1690) Travellers crossing the bridge Etching 6.1/4 x 8.3/8 in. (15.8 x 21.2 cm.)

After Hubert Goltzius (Dutch, 1526-1583) Maximilian; Frideri; Hadrian; and Antoninus Four chiaroscuro medallion portrait woodcuts of emperors in sepia tones c.1557, the diameter of each print 18.5cm overall frame dimension approximately 54 x 54cm Provenance: Trowbridge Gallery

Edward Henry Gordon Craig (British, 1872-1966) La Procession Nocturne (state 1) Woodcut Inscribed `State 1 only 8 copies’ (lower left under mount) 5.1/8 ...

Edward Henry Gordon Craig (British, 1872-1966) Creeping up on a foe Woodcut Inscribed `Only 7 copies printed – copy 7’ (under the mount) 4.1/8 x 4.5/8 in....

A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...

A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...

Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551. [Stechow 16] Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...

Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...

Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...

circa 1504 Woodcut on cream laid paper, 8 1/2 x 5 7/8 inches (215 x 148 mm), thread margins. Significant expert repairs to lower right sheet edge, and center right sheet edge. Mino...