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Condo, Black and Red Compression, Drawing Paintings (after)

2011

$3,996
$4,99520% Off
£3,068.54
£3,835.6820% Off
€3,520.10
€4,400.1320% Off
CA$5,614.85
CA$7,018.5620% Off
A$6,288.28
A$7,860.3520% Off
CHF 3,281.12
CHF 4,101.4020% Off
MX$76,808.59
MX$96,010.7420% Off
NOK 41,745.39
NOK 52,181.7420% Off
SEK 39,350.03
SEK 49,187.5420% Off
DKK 26,270.10
DKK 32,837.6220% Off

About the Item

Four color process print on vélin paper. Paper size: 10.75 x 18.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 2011. Published by Skarstedt Gallery, New York; printed by Transcontinental Litho Acme, Montréal, 2011. Excerpted from the folio, Published on the occasion of the exhibition, George Condo, Drawing Paintings, November 4 - December 17, 2011, Skarstedt Gallery, 20 East 79th Street, New York, NY 10075. Project Coordinators: Brady Doty and Dina Shaulov-Wright; Design: And Smith, LLC; Printing: Transcontinental Litho Acme. All images © George Condo. Photographs by Benjamin Provo and Chris Hood. Edition of CD + C, signed and numbered examples. GEORGE CONDO (1957) is an American visual artist who works in painting, drawing, sculpture and printmaking. He lives and works in New York City. He studied Art History and Music Theory at the University of Massachusetts in Lowell. He settled in New York city in the late 1970's, where he became a recognized figure within the East Village art scene, even spending a brief time working in Andy Warhol's Factory. He moved to Paris, France in 1985 and lived there for a decade. Condo has occupied a central position in the landscape of American painting for nearly forty years. His unique and imaginative visual language pays tribute to a vast array of art-historical traditions and genres, drawing together elements of Old Master portraiture with allusions to contemporary American culture. He is best known for his distinctive, deformed and sometimes demonic paintings that combine figuration and abstraction, madness and beauty. Condo coined the term 'Artificial Realism', to describe his approach or, in other words, 'the realistic representation of that which is artificial'. His work is populated largely by dramatically stylized, almost cartoonish, characters with exaggerated, often grotesque features such as protruding over or under bites, ghoulish expressions, or is fractured nearly beyond recognition. Condo's work is in the permanent collections of the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; The Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Albright-Knox Art Gallery, Buffalo; The National Gallery of Art, Washington D.C.; The Museum of Fine Arts, Houston, The Judith Rothschild Foundation, Philadelphia; Broad Art Foundation, Los Angeles; Marciano Art Foundation, Los Angeles; Tate Modern, London; Centre Georges Pompidou, Paris; Fonds National d'Art Contemporain, Ministère de la Culture, Paris; Fonds Regional d'Art Contemporain, Ile de France, Paris; Staedel Museum, Frankfurt; Dakis Joannou Collection Foundation, Athens; Astrup Fearnley Museum of Modern Art, Oslo; Museu d'Art Contemporani, Barcelona; the Doron Sebbag Art Collection, ORS Ltd., Tel Aviv; Museo Jumex, Mexico City; and Moderna Museet, Stockholm.
  • Creation Year:
    2011
  • Dimensions:
    Height: 10.75 in (27.31 cm)Width: 18.5 in (46.99 cm)
  • Medium:
  • Movement & Style:
  • After:
    George Condo (1957, American)
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465215976852

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Condo, Compression V, Drawing Paintings (after)
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Condo, Compression VI, Drawing Paintings (after)
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Condo, Compression IV, Drawing Paintings (after)
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Condo, Compression III, Drawing Paintings (after)
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