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Georges BraqueChar noir (Char V) - Etching, Greek, Mythology, Acient, Horse, Chariot1949
1949
About the Item
Etching and aquatint in colour "Char noir (Char V)" (Black Chariot, Chariot V) by Georges Braque from 1958.
The edition on BFK RIVES comprises approx. 75 copies.
The present copy is numbered in pencil below the image on the left, signed on the right, watermark lower left.
Sheet size: 46,5 x 54,5 cm
Plate size: 29 x 38 cm
Image size: 23,8 x 29,6 cm
Literature: Vallier 116
Georges Braque (Argenteuil 1882–1963 Paris) is one of the great and important artists of the twentieth century and left behind an impressive oeuvre. In addition to his paintings, a number of outstanding prints are among the highlights of his work. From the very beginning, he devoted his attention and passion to his graphic oeuvre and explored the artistic possibilities of printmaking techniques.
Based on the formal repertoire of Analytical Cubism, Braque’s first prints were produced as early as 1909. More than twenty years later, fascinated by Greek mythology, Braque produced black-and-white etchings for Hesiod’s Theogony (1932), as well as numerous colour lithographs revolving around the ancient world of gods with horses and chariots – a theme to which Braque repeatedly devoted himself.
- Creator:Georges Braque (1882 - 1963, French)
- Creation Year:1949
- Dimensions:Height: 18.31 in (46.5 cm)Width: 20.48 in (52 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Köln, DE
- Reference Number:1stDibs: LU1496215965132
Georges Braque
Georges Braque was born in Argenteuil, France, in 1882. Braque lived much of his childhood and young adult life in Le Havre. He attended night classes at the art school from 1897–99 and then moved to Paris, where he obtained his license as a master decorator. From 1905–06, after studying at École des Beaux-Arts in Paris and having been influenced by the works of Henri Matisse, he began to paint in the way of Fauvism by using bright colors and taking advantage of the freedom of the composition. Paysage à L'Estaque (1906) was one of the prominent works of art made at this time.
The year 1907 was a significant time in Braque's development, wherein he visited the retrospective on Paul Cézanne and he came into contact with Picasso, who was very engrossed in the realization of Les Demoiselles d'Avignon at the time. At this point, Braque began nurturing a considerable interest in primitive art. After the First World War, Braque worked autonomously and developed a more personal style, which was characterized by vivid colors and textured surfaces. Braque painted still life, interior views, and ocean scenes. The Ateliers (1948–55) and Birds (1955–63) series were painted during this period. In 1948, he obtained his first award for painting at the XXIV Biennial in Venice.
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