Items Similar to Rare 18 Karat Gold Leaf Embossed Etching After Georges Braque L'Oiseau d'Or
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Rare 18 Karat Gold Leaf Embossed Etching After Georges Braque L'Oiseau d'Or
$2,000
£1,516.50
€1,751.54
CA$2,806.12
A$3,125.96
CHF 1,648.89
MX$37,903.20
NOK 20,976.30
SEK 19,540.75
DKK 13,079.46
About the Item
After Georges Braque (French, 1882-1963)
"L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned, edition number 169/250,
Size with frame: 11"h x 12.5"w.
Embossed etching paper, gilt and fine gold leaf paper sculpture after Georges Braque.
Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions to the history of art were in his alliance with Fauvism from 1906, and the role he played in the development of Cubism. Braque’s work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. However, he also studied artistic painting during evenings at the École des Beaux-Arts, in Le Havre, from about 1897 to 1899. In Paris, he apprenticed with a decorator and was awarded his certificate in 1902. The next year, he attended the Académie Humbert, also in Paris, and painted there until 1904. It was here that he met Marie Laurencin and Francis Picabia.
Braque's earliest works were impressionistic, but after seeing the work exhibited by the artistic group known as the "Fauves" (Beasts) in 1905, he adopted a Fauvist style. The Fauves, a group that included Henri Matisse and André Derain among others, used brilliant colors to represent emotional response. Braque worked most closely with the artists Raoul Dufy and Othon Friesz, who shared Braque's hometown of Le Havre, to develop a somewhat more subdued Fauvist style. In 1906, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint. In May 1907, he successfully exhibited works of the Fauve style in the Salon des Indépendants. The same year, Braque's style began a slow evolution as he became influenced by Paul Cézanne who had died in 1906 and whose works were exhibited in Paris for the first time in a large-scale, museum-like retrospective in September 1907. The 1907 Cézanne retrospective at the Salon d'Automne greatly affected the avant-garde artists of Paris, resulting in the advent of Cubism.
Beginning in 1909, Braque began to work closely with Pablo Picasso who had been developing a similar proto-Cubist style of painting. At the time, Pablo Picasso was influenced by Gauguin, Cézanne, African masks and Iberian sculpture while Braque was interested mainly in developing Cézanne's ideas of multiple perspectives. During his recovery he became a close friend of the cubist artist Juan Gris. He continued to work during the remainder of his life, producing a considerable number of paintings, graphics, and sculptures. Braque, along with Matisse, is credited for introducing Pablo Picasso to Fernand Mourlot, and most of the lithographs and book illustrations he himself created during the 1940s and '50s were produced at the Mourlot Studios.
Braque died on 31 August 1963 in Paris. He is buried in the cemetery of the Church of St. Valery in Varengeville-sur-Mer, Normandy whose windows he designed. Braque's work is in most major museums throughout the world.
On 20 May 2010, the Musée d'Art Moderne de la Ville de Paris reported the overnight theft of five paintings from its collection. The paintings taken were Le pigeon aux petits pois (The Pigeon with the Peas) by Pablo Picasso, La Pastorale by Henri Matisse, L'Olivier Près de l'Estaque (Olive Tree near Estaque) by Georges Braque, La Femme à l'Éventail (fr) (Woman with a Fan) by Amedeo Modigliani and Nature Morte aux Chandeliers (Still Life with Chandeliers) by Fernand Léger and were valued at €100 million ( $123 million USD). A window had been smashed and CCTV footage showed a masked man taking the paintings. Authorities believe the thief acted alone. The man carefully removed the paintings from their frames, which he left behind. This is similar to the suite "Hommage aux bijoux de Braque" by Heger de Lowenfeld. Created to commemorate a series of Braque Jewelry, which were created in gold with enamel by the same atelier that made these embossed prints. With titles from Greek mythology. in 1961 Georges Braque decided with his lapidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks. Armand and Georges Israel, publishers.
- Dimensions:Height: 11 in (27.94 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- After:Georges Braque (1882 - 1963, French)
- Period:
- Condition:good. minor age toning/wear. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215762172
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,792 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllRare 18 Karat Gold Leaf Embossed Etching After Georges Braque L'Oiseau d'Or
By Georges Braque
Located in Surfside, FL
Embossed print after Braque, based on his sculpture by the same name.
Embossed in the print paper is "'Cephale', Hommage aux bijoux de braque, or fin 23 carat, sculpt heger de Lowen...
Category
20th Century Modern Figurative Prints
Materials
Gold Leaf
Latvian Modernist 'The Sky Hides All It's Birds' Intaglio Etching Embossing
By Adja Yunkers
Located in Surfside, FL
Printed on Dark Paper a magnificent piece. this is an etching with embossing
on black wove, J Barcham Green paper
Publisher Styria Studio, chopmark lower left
Adja Yunkers
b. 1900, Riga, Russia; d. 1983, New York
Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied art in Petrograd (now Saint Petersburg), but from 1917 to 1919 his schooling was interrupted by military service in the Russian army. Yunkers soon left Russia for Europe and traveled extensively for the next two decades, settling for long periods in Cuba, France, and Germany. During much of his early career, Yunkers was active in political as well as artistic movements. At times his political investments even outweighed his commitment to his art, and in 1936 he moved to Spain to fight in its civil war. When the war ended in 1939, he moved to Stockholm and began to focus on art making again. He became associated with the Swedish Surrealists and published three journals devoted to art and politics. These handcrafted publications signaled a strong interest in printmaking, and in the 1940s he made many woodblock prints depicting distorted objects and figural compositions that demonstrate the influence of German Expressionism on his work.
In 1947, Yunkers moved to New York and began to teach at the New School for Social Research. After four tumultuous marriages, he married one of his former students from the New School, Dore Ashton, in 1952. Ashton became an art critic for the New York Times in 1955, and through her, Yunkers was introduced to the artists who would become known as the Abstract Expressionists. He began drawing with pastel directly on canvas, resulting in large-scale works that recall Color Field painting in their emphasis on the materiality of color. Expanding on this impulse, Yunkers's later work made extensive use of negative space, collage, and monochrome. The influence of Minimalism in this more reduced aesthetic is clear, and his canvases became more object-like. Both printmaking and bookmaking were central to Yunkers's oeuvre. He founded the Rio Grande Workshop in New Mexico (where he also taught) in 1949, publishing an entirely handmade art magazine called Prints in the Desert. In 1969 he illustrated a limited-edition book by the poet Octavio Paz, a collaboration that sparked both a friendship and a number of additional illustrated books in the years to come. Yunkers also produced two large public works on commission: A Human Condition (1966), a mural for Syracuse University, and a tapestry produced for Stony Brook University (1968), both in New York.
Yunkers had his first solo exhibition in 1921 at the Maria Kunde Galerie, Hamburg, Germany. Later that same year, he was part of a group show featuring Eastern European and Russian artists, including Alexander Archipenko, Marc Chagall, and Vasily Kandinsky, held in Hannover, Germany.
He was included in an exhibition organized by the Print Council of America entitled American Prints Today. A snapshot of the state of American printmaking at the time of the exhibition. Among the many featured artists were Josef Albers, Leonard Baskin, Ralston Crawford, Adolf Dehn, Fritz Glarner, Grace Hartigan, Jasper Johns, Ynez Johnston, John Paul Jones, Misch Kohn...
Category
1970s Modern Animal Prints
Materials
Etching
French Pop Art Modernist Textured Carborundum Etching Abstract James Coignard
By James Coignard
Located in Surfside, FL
Carborundum Etching by James Coignard (French, 1925-2008)
Signed and numbered 5/15. This might be a proof edition
Includes insert by Michel Bohbot
Frame: 22.5" X 18"
Image: 16.75" X ...
Category
20th Century Abstract Expressionist Abstract Prints
Materials
Mixed Media, Etching
Apeles Fenosa Spanish Sculptor Mourlot Lithograph Abstract Expressionist Figures
By Apelles Fenosa
Located in Surfside, FL
This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...
Category
1970s Expressionist Figurative Prints
Materials
Lithograph
French Abstract Surrealist Color Lithograph Andre Masson
By André Masson
Located in Surfside, FL
Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates.
Limited edition. This is not hand signed or numbered. Signature in the printing p...
Category
20th Century Surrealist Abstract Prints
Materials
Lithograph, Offset
Abstract Italian Woman Artist Modern Metallic Foil Mirror Lithograph Laura Fiume
By Laura Fiume
Located in Surfside, FL
This is not signed or numbered. it is from a folio of prints.
Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father.
At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours.
In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988.
Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987).
In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan.
The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988.
In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production.
In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France.
Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine.
In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented.
In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland.
In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children.
In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors.
In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania.
In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs.
In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni.
In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings.
In 2007 Laura was also invited to take part in Milan’s Cow Parade...
Category
20th Century Contemporary Abstract Prints
Materials
Offset, Screen
You May Also Like
"L'oiseau de sables (Bird of the Sands)" contemporary animal bright signed
By Georges Braque
Located in Milwaukee, WI
"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...
Category
1960s Fauvist Animal Prints
Materials
Printer's Ink, Lithograph
Elegant flight - Lithograph - Printed signature
By (after) Georges Braque
Located in Paris, IDF
George BRAQUE
Elegant flight
Lithograph on vellum after a painting
Printed signature in the plate
399 copies unnumbered
On Arches vellum 18 x 23" (45 x 58 cm)
Excellent condition
Category
Late 20th Century Cubist Animal Prints
Materials
Lithograph
Leda and the Swann - lithograph - 399 copies
By (after) Georges Braque
Located in Paris, IDF
Georges BRAQUE
Leda and the Swann
Stone lithograph (Art-Litho workshop, Paris)
Printed signature in the pate
Limited to 399 copies unumbered
On Arches vellum 18 x 23" (45 x 58 cm)
E...
Category
Late 20th Century Cubist Animal Prints
Materials
Lithograph
Giltwood Framed "Le Oiseau" Picasso Lithograph
Located in Tarry Town, NY
Picasso (1883-1973)
Title: Le Oiseau
Size: 17 inches x 12 inches
Medium: Lithograph
Publisher: Mourlot, Paris
Printer: Mourlot, Paris
Year: 1973
Edition: 150, this is example ...
Category
Vintage 1930s European Prints
Materials
Giltwood, Paper
Bird of the Moon - lithograph - 399 copies
By (after) Georges Braque
Located in Paris, IDF
MEDIUM : Lithograph
PRINTER : Atelier Art-Litho
EDITOR : Armand ISRAEL, Paris
SIGNATURE : Printed
LIMITED : 399 copies unumbered
PAPER : Arches vellum
SIZE : 18 x 23"
CONDITION : Ex...
Category
Late 20th Century Cubist Animal Prints
Materials
Lithograph
Oiseau et Lotus - Lithograph by Georges Braque - 1963
By Georges Braque
Located in Roma, IT
Oiseau et Lotus is a color lithograph on paper, realized by the French Cubist artist, Georges Braque (1882-1963).
Printed by ARTE in 1963 by order of Galerie Maeght in Paris in a ci...
Category
1960s Modern Abstract Prints
Materials
Lithograph
More Ways To Browse
Le Fanion
Greek Intaglio
Art Moderne Jewellery
Vintage Intaglio Jewelry
Fan Brooch
Pigeon House
18 Karat Gold Leaf Brooch
Gold Leaf Fan
French Church Chandelier
Vintage Jewelry Antwerp
Paris Bijoux Vintage
Olive Picks
Mask Brooch
Les Bijoux Vintage
Picasso Pigeons
Pablo Picasso Pigeons
Braque Enamel
Enamel Tree Brooch