Georges Rouault

Le Rencheri

1935

This is an aquatint print by French painter Georges Rouault titled "Jongieur" from Cirque de l'étoile filante (The Shooting Star Circus) 1935, published 1938 by Ambroise Vollard. Si...

This is an aquatint print by French painter Georges Rouault titled "Dors mon amour" ("Sleep, My Love") (plate facing page 164) from Cirque de l'étoile filante (The Shooting Star Circ...

This abstract monoprint by American artist Peter Alexander (1939-2022) measures 30" x 33". It was completed in 1989 and is signed, titled, dated on the lower right corner. This print...

This silkscreen print by Ilya Bolotowsky measures 40" x 30.5". It is an abstract print completed in 1970 and titled Series 8. Ilya Bolotowsky (1907-1981) was a Russian American pain...

This is "Just Because #3" screen print by Ross Bleckner. It is a unique 17-color screen print and measures 33 in. x 42 in. This is part of a rare, limited edition set of 75 prints an...

This is "Just Because #2" screen print by Ross Bleckner. It is a unique 17-color screen print and measures 33 in. x 42 in. and approximately 40 in. x 50 in. with the frame, please se...

A superb impression of this extremely scarce etching and aquatint. First state (of 2), before the darkened background. Edition of approximately only 11. Signed in pencil. This etch...

A superb, richly-inked impression of this very scarce aquatint. Edition of approximately 80. Signed in pencil by Orozco.

An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris. Catalogue reference: Chapon/Rouault 141; ...

Artist: Karel Appel Title: Salto Sobre La Cabeza Year: 1988 Medium: Etching with aquatint Signed and dated '88, numbered 5/60 in pencil Dimensions: 19.25" x 4.5" Provenance: Gallery ...

A superb, richly-inked impression of this scarce etching printed in reddish brown on heavy, cream wove paper. Signed, dated and inscribed "kupferstich" in pencil.

This sophisticated etching on paper was realized by the self-taught outsider artist Gianfranco Asveri (b. 1948), in the latter half of the 20th Century. Rendered in an Art Brut style, the composition offers a cluster of four rectangular planes- like little vignettes- each inscribed with their own scene. Predominantly abstract- but leaving plenty of room for interpretation- these rhombus forms offer miniature worlds within teeming with what appear to be loosely rendered figures, rolling hills and stylized clouds. These figurative elements are created with frenetic and energized strokes- full of verve and dynamism- and largely in black pigment against a warm off white paper. The most clearly articulated figurative element appears in the bottom right rectangular pane of the composition. A person in a dress or frock with elementally drawn, stick- figure like arms extended outwards, whose body is turned sideways (captured in flight as a phantasmagoric figure perhaps). A solid hourglass block of umber pigment and a chalky olive green represent the only chromatic accents, offering a restrained contrast to the monochromatic dominance of the piece. Reminiscent of the work of Lee Lozano...