Giovanni Battista Piranesi

Pair of Giovanni Battista Piranesi Architectural Prints Late 18th Century

1778

Set ancient Roman frescos from the series "Antiquities of Herculaneum", an original etching on paper by Nicola Fiorillo in the 18th Century. Three hand colored copper engravings of classical roman. Each print is matted in a custom made silk mat that matches the clothing. Engraving with two figures measures 21.25" x 18.25". The other two prints measure 20.5" x 16.5". Size includes mat. # greek Pompeii Grand tour

Two anatomical copper engravings by Francesco Valesio. From De humani corporis fabrica libri decem Evangelista Deuchino, On laid paper. 17th Century # nude male figure

Early 19th century hand colored engraving of Chinese life. Original print from "The punishments of China" illustrated by twenty-two engravings by Mason, George Henry; Dadley, J. P. P...

Three 18th century engravings of George Washington, Thomas Jefferson, and John Adams. Mounted on paper. Each engraving measures 2.75" x 2". In a circa 1920's frame. Whitish area ov...

Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed. 

Late 20th century modernist oil painting of Greco Roman wrestlers done in the classical style. By David Loeb. Oil on handmade paper. Signed on reverse and dated 1989. Loeb was born in 1953 and raised in Chappaqua, New York, David Loeb’s mother and her identical twin were painters, and he has been painting since childhood. He studied with Gillian Pederson-Krag at Cornell University; Reed Kay at Boston University; Louis Finkelstein, Wolf Kahn and Philip Guston at the Yale Summer School of Art and Music; and attended graduate school at Indiana University, Bloomington, where he studied with Robert Barnes...

Japan: circa 1770. Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining...

Signed lower left, 'R. Carruthers' for Roy Carruthers (American, 1938-2013), inscribed lower right, 'Presentation Proof' and created circa 1983. This is a proof apart from the edition of 60. Printed and published by Editions Press, San Francisco and with their blindstamp. Four prints by this artist, including this one. Painter, printmaker, illustrator, graphic designer and art director, Roy Carruthers was born in Port Elizabeth, South Africa and first studied at the Port Elizabeth Technical College Art School. From 1956, he worked as an art director and graphic designer in South Africa and, after 1960, in London. In 1968, he immigrated to the United States and worked in the advertising industry in New York. In 1974, Carruthers started his own graphic design firm while pursuing his career as a fine artist producing original paintings, drawings and etchings. His collaboration with Editions Press in San Francisco produced both sculpture and color lithographs, of which this work is a pristine example. He also maintained an academic career, teaching graphic techniques at Manhattan's School for the Visual Arts. Over the course of a distinguished career, Roy Carruthers exhibited widely and with success and was the recipient of numerous prizes, medals and juried awards including a gold medal from the Society of Illustrators (1973). His work continued to be exhibited in South Africa and the United States and throughout Europe. In 1982, he returned to South Africa as a guest of the South African Government and was honored with a touring museum exhibition of his work. Roy Carruthers is represented in private and public collections worldwide including the permanent collections of the San Francisco Museum of Fine Arts...

A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...

Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...

Etching on light yellow cream laid paper with deckle edges, full margins. Inscribed in the image "Library of the Grolier Club, Demonstration Plate, Drawn, Etched and Printed in a Li...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in wa...