Giovanni Domenico Tiepolo

Giuseppe Adora il Bambino sotto una Palma - Etching by G.D. Tiepolo

1752

The Family is an Original Etching realized by Jean-Louis Demarne (1744-1829). The little artwork is in good condition, included a light green cardboard passpartout (49x31.5 cm). Stamp signed on the lower right corner. Jean-Louis de Marne (1752-24 March 1829) was a French painter. He concentrated on landscape and genre painting, in which he was greatly influenced by such 17th century Dutch masters as Aelbert Cuyp...

Francesco Cepparuli, Ancient Roman Fresco, original etching hand watercolored. Mid-18th Century. original etching from the end of the 18th century, realized by Francesco Cepparuli. ...

Cave Rue de l'Enfer is an original Etching realized by Augustin André Lançon in 1871. Rare etching belonging to the suite "Guerre de 1870 et Siège de Paris". Very good Conditions. ...

Collegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged mar...

Monastero e Chiesa di S. Apollonia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Si...

Giardino e Casino Pontificio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed ...

This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...

This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...

"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...

This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...

Old Masters Print of Music Teachers after Franceso Barbieri called Guercino (1591-1666). This 13 x 21 inch etching is titled The Music Teachers after Franceso Barbieri called Guercino (1591-1666) Measurements: 13"x21". Susquehanna Antique Company...

"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...