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Gudmundur ErroErró, L’ultima visita di Mao a Venezia - Portfolio of 12 Signed Prints, Pop Art2002
2002
$4,512.12
£3,410.09
€3,800
CA$6,303.05
A$6,857.07
CHF 3,618.37
MX$82,468.09
NOK 45,644.35
SEK 42,479.30
DKK 28,947.39
About the Item
Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932)
L’ultima visita di Mao a Venezia, 2002
Medium: Portfolio containing 12 lithographs in color, on paper (in red cloth folder)
Image dimensions: each 42,5 x 32,5 cm
Sheet dimensions: each 59 x 45 cm
Edition of 120: All sheets signed, dated and numbered
- Creator:Gudmundur Erro (1932)
- Creation Year:2002
- Dimensions:Height: 23.23 in (59 cm)Width: 17.72 in (45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hamburg, DE
- Reference Number:1stDibs: LU704315668752
Gudmundur Erro
Erró has gained international recognition as a leader of Figuration Narrative–a French pendant to Pop Art that emerged in the early 1960s–and a pioneer of painted collage, which he compares to automatic writing. Originally close to the Surrealist circle in Paris, he radically renounced his own imaginary representations to make collage the exclusive matrix of his flamboyant oeuvre following his discovery of American mass consumer culture during a trip to New York in 1963–1964. His technique consists in painting strictly after preliminary montages of ready-made images such as comics, advertisements, postcards and reproductions of masterpieces, which he thoroughly archives from all over the world to fuel his serial work. Politicians, celebrities, superheroes, aliens and warriors stand among the most recurrent motifs of Erró’s often monumental, kaleidoscopic accumulations, in which different civilisations and ideologies deliriously collide to better capture the absurdity of our contemporary propagandas from current affairs to popular fantasies.

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“I paint because painting is a private Utopia,” Erró writes of his art.
The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear.
Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958.
During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing.
Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris.
Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...
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