Hans Baluschek

Hans Baluschek Lithograph "Wochenende" ( Weekend )

1927

Color lithograph on Japanese paper from portfolio "Elles", 1896. Published by Jean Vallery-Radot and André Sauret. Printed by Mourlot Freres, Paris 1952. Here number VI. Sheet size...

Color lithograph on paper, 1954 by Pablo Picasso ( 1881-1973 ). Printed by " Mourlot ", Paris. Not signed. Dated and numbered lower left: 27.1.54 I Image size: 9.45 x 12.52 in ( 24...

Color lithograph on Japanese paper from portfolio "Elles", 1896. Published by Jean Vallery-Radot and André Sauret. Printed by Mourlot Freres, Paris 1952. Here number V. Sheet size:...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin Published by Malik Verlag, 1923. Numbered in Roman numera...

Lithograph on Japanese paper from portfolio "Elles", 1896. Published by Jean Vallery-Radot and André Sauret. Printed by Mourlot Freres, Paris 1952. Here number IV. Sheet size: 10.9...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin Published by Malik Verlag, 1923. Numbered in Roman numera...

2006 Lithograph in colors, on cotton fiber paper Sheet: 40 x 14 1/2 in. Edition of 130 Signed and numbered in pencil Unframed

Ernst Haeckel, 'Art Forms in Nature' (Plate 79 - Basiliscus), offset lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 79 — Basi...

VENDEDORA, a limited edition lithograph by the renowned American-born Mexican sculptor and printmaker Elizabeth Catlett(b.1915–2012) depicts a sensitive black and white portrait of a...

"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition. The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left. There are four additional listings of David Roberts engravings of Egypt...

This artwork titled "Mujeres de Mexico" 1973 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered XX/XXV in pencil by the artist. The artwork size is 22.25 x 30.75 inches, framed size is 34.5 x 42.25 inches. Published by Editions Press, San Francisco, with their blind stamp at the lower right corner. Referenced and pictured in the artist's catalogue raisonne by Brewster plate #5. Beautifully custom framed in a wooden gold frame, with fabric matting and gold color bevel. It is in excellent condition, the frame have some light discoloration at the left side, please see picture #1. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...

Printed in a rich terra cotta red on pale pink paper, Orgasm depicts a woman’s head in profile with a dark background. Kitaj was fascinated with the female form, often producing edgy...