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Henri de Toulouse-Lautrec, Two Portraits of Women, Derriere le Miroir (after)
1966

Name: Henri de Toulouse-Lautrec, Two Portraits of Women, Derriere le Miroir (after)
Price: 581.24 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

$716

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£546.06

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€629.20

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CA$1,022.79

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A$1,124.44

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CHF 581.24

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MX$13,454.63

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NOK 7,338.02

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SEK 6,879.60

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DKK 4,699.24

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About the Item

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Deux portraits de femmes, medaillons pour la decoration du salon du bordel de la rue d'Amboise, Paris (Two Portraits of Women, Medallions for the Decoration of the Salon of the Brothel on Rue d'Amboise, Paris), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This work showcases Toulouse-Lautrec’s refined mastery of portraiture, translating the human presence of his painted medallions into a graphic expression of intimacy, elegance, and psychological nuance. The lithograph exemplifies his gift for capturing both individual character and universal emotion with simplicity and grace. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, highlighting Toulouse-Lautrec’s enduring legacy as a pioneer of modern graphic art. Artwork Details: Artist: After Henri de Toulouse-Lautrec (1864–1901) Title: Deux portraits de femmes, medaillons pour la decoration du salon du bordel de la rue d'Amboise, Paris (Two Portraits of Women, Medallions for the Decoration of the Salon of the Brothel on Rue d'Amboise, Paris), from Derriere le Miroir, No. 158–159, 1966 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Date: 1966 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French) This issue of "Behind the Mirror" includes a luxury edition printed on velin de Lana and limited to CCC numbered examples. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne de Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Henri de Toulouse-Lautrec (1864–1901) was a French painter, printmaker, draughtsman, and illustrator celebrated for his vivid and empathetic depictions of Parisian nightlife during the Belle Epoque. A master observer of character and movement, Toulouse-Lautrec chronicled the bohemian world of Montmartre—its cabarets, performers, dancers, and cafes—with a revolutionary use of color, composition, and line that redefined both fine art and commercial design. His iconic posters for the Moulin Rouge and other venues not only captured the exuberant energy of modern urban life but also elevated lithography to the level of high art. Despite his physical frailty due to a congenital condition, his creative output was prolific and profoundly influential, shaping the evolution of modern visual culture. Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautrec absorbed and transformed these influences into a bold, modern visual language uniquely his own. He worked and exhibited among many of the most important artists of his time, including Vincent van Gogh, Edgar Degas, Paul Gauguin, Pierre Bonnard, Edouard Vuillard, and Paul Signac, and his work stands in lasting dialogue with the great modern masters who followed—Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—each of whom shared his drive to reinvent art for the modern age. His paintings, drawings, and lithographs are represented in major museums worldwide, including the Musee d’Orsay, the National Gallery, the Tate, and MoMA, where they continue to captivate audiences for their psychological depth and timeless vitality. The highest price ever paid for a Henri de Toulouse-Lautrec artwork is approximately $22.4 million USD, achieved in 2005 at Christie’s London for La Blanchisseuse (1886–87). Henri de Toulouse-Lautrec Deux portraits de femmes, Toulouse-Lautrec Derriere le Miroir, Toulouse-Lautrec Maeght Editeur Paris, Toulouse-Lautrec Mourlot Freres, Toulouse-Lautrec 1966 edition, Toulouse-Lautrec lithograph, Toulouse-Lautrec abstraction, Toulouse-Lautrec collectible lithograph, Toulouse-Lautrec modernist, Toulouse-Lautrec Maeght Paris publication.

Creation Year:
1966
Dimensions:
Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)
Medium:
Lithograph
Movement & Style:
Post-Impressionist
After:
Henri de Toulouse-Lautrec (1864 - 1901, French)
Period:
1960-1969
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465215140972

By Henri de Toulouse-Lautrec

Located in Fairfield, CT

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

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