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Henri de Toulouse-Lautrec, Work Without a Saddle, from The Circus, 1952 (after)
1952

Name: Henri de Toulouse-Lautrec, Work Without a Saddle, from The Circus, 1952 (after)
Price: 586.28 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

$716

$89520% Off

£551.52

£689.4020% Off

€629.78

€787.2220% Off

CA$1,021.54

CA$1,276.9220% Off

A$1,117.89

A$1,397.3720% Off

CHF 586.28

CHF 732.8620% Off

MX$13,361.20

MX$16,701.5120% Off

NOK 7,398.87

NOK 9,248.5920% Off

SEK 6,902.25

SEK 8,627.8220% Off

DKK 4,703.26

DKK 5,879.0820% Off

About the Item

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail sans selle (Work Without a Saddle), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris Book Center, Inc., New York, under the direction and supervision of Andre Sauret, Monte Carlo, and printed by Mourlot Freres, Paris, this work reflects Lautrec’s incisive draftsmanship and his enduring fascination with performers whose movements, gestures, and theatrical presence he rendered with unmatched empathy, wit, and psychological insight. Executed as a lithograph on velin paper, this work measures 12.125 x 9.25 inches (30.8 x 23.5 cm). Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: After Henri de Toulouse-Lautrec (1864–1901) Title: Travail sans selle (Work Without a Saddle), from The Circus of Toulouse-Lautrec, 1952 Medium: Lithograph on velin paper Dimensions: 12.125 x 9.25 inches (30.8 x 23.5 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1952 Publisher: Paris Book Center, Inc., New York; under the direction and supervision of Andre Sauret Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1952 album The Circus of Toulouse-Lautrec, published by Paris Book Center, Inc., New York Notes: Excerpted from the album, This edition of The Circus of Toulouse-Lautrec has been realized and published for Paris Book Center Inc. of New York, under the direction and supervision of Andre Sauret at the presses of Fernand Mourlot in Paris. There has been published of this english edition of The Circus of Toulouse-Lautrec, MD examples, numbered from I to MD. In addition there has been printed, XX examples on Imperial Japon Paper numbered from I to XX, L examples on Special Velin numbered XXI to LXX. About the Publication: The Circus of Toulouse-Lautrec, published in 1952 by Paris Book Center, Inc. under the direction of Andre Sauret and printed by Mourlot Freres, stands as one of the most ambitious postwar efforts to celebrate and preserve Henri de Toulouse-Lautrec’s iconic illustrations of circus life. The album presents lithographic renderings based on Lautrec’s original drawings and studies, executed with exceptional fidelity through the renowned technical mastery of the Mourlot atelier—then the leading printer for modern artists. Conceived as a deluxe fine art album, the edition brought together Lautrec’s dynamic portrayals of acrobats, riders, clowns, capturing the immediacy, humor, and psychological depth that define his contribution to modern art. The publication adheres to the fine-art standards established by Sauret’s Monte Carlo collaborations, uniting rigorous production values with scholarly intent. Included in the album are both standard velin impressions and rare examples on Imperial Japon and Special Velin, reflecting the mid-century revival of limited, high-quality art editions that brought Lautrec’s work to new international collectors. The Circus of Toulouse-Lautrec remains an important testament to the postwar rediscovery and celebration of Lautrec’s oeuvre, highlighting the enduring influence of his vision on modern print culture and fine art publishing. About the Artist: Henri de Toulouse-Lautrec (1864–1901) was a French painter, printmaker, draughtsman, and illustrator celebrated for his vivid and empathetic depictions of Parisian nightlife during the Belle Epoque. A master observer of character and movement, Toulouse-Lautrec chronicled the bohemian world of Montmartre—its cabarets, performers, dancers, and cafes—with a revolutionary use of color, composition, and line that redefined both fine art and commercial design. His iconic posters for the Moulin Rouge and other venues not only captured the exuberant energy of modern urban life but also elevated lithography to the level of high art. Despite his physical frailty due to a congenital condition, his creative output was prolific and profoundly influential, shaping the evolution of modern visual culture. Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautrec absorbed and transformed these influences into a bold, modern visual language uniquely his own. He worked and exhibited among many of the most important artists of his time, including Vincent van Gogh, Edgar Degas, Paul Gauguin, Pierre Bonnard, Edouard Vuillard, and Paul Signac, and his work stands in lasting dialogue with the great modern masters who followed—Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—each of whom shared his drive to reinvent art for the modern age. His paintings, drawings, and lithographs are represented in major museums worldwide, including the Musee dOrsay, the National Gallery, the Tate, and MoMA, where they continue to captivate audiences for their psychological depth and timeless vitality. The highest price ever paid for a Henri de Toulouse-Lautrec artwork is approximately 22.4 million USD, achieved in 2005 at Christies London for La Blanchisseuse (1886–87). Henri de Toulouse-Lautrec lithograph, Lautrec Travail sans selle, Lautrec Work Without a Saddle, Lautrec Circus, Mourlot Freres, Andre Sauret, Paris Book Center Inc., 1952 edition, Belle Epoque lithograph, Lautrec equestrian print, Lautrec collectible graphic work.

Creation Year:
1952
Dimensions:
Height: 12.125 in (30.8 cm)Width: 9.25 in (23.5 cm)
Medium:
Lithograph
Movement & Style:
Post-Impressionist
After:
Henri de Toulouse-Lautrec (1864 - 1901, French)
Period:
1950-1959
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465217291522

Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Femmes De Lautrec (after), 1954

$716 Sale Price

20% Off

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)

By Henri de Toulouse-Lautrec

Located in Fairfield, CT

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after), 1967

$716 Sale Price

20% Off

Henri de Toulouse-Lautrec, Work Without a Saddle, from The Circus, 1952 (after)1952

About the Item

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Henri de Toulouse-Lautrec, Work Without a Saddle, from The Circus, 1952 (after)
1952

(After) Henri Toulouse Lautrec
"Travail sans selle" lithograph, 1952