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Henry Moore
Poetry: Three Reclining Figures - Henry Moore, Prints, Lithograph, Contemporary

1973

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  • Celia Amused
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    Lithograph on Toyoshi #80, 1979. Signed, dated and numbered from an edition of 100. Printed and published by Gemini G.E.L., Los Angeles. (Gemini 834)
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  • Barcelona: XXV - Joan Miró, Print, Lithograph, Surrealism, Fauvism, Figurative
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  • Legs
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  • Girl Holding Her Foot
    By Lucian Freud
    Located in London, GB
    Etching printed with tone, 1985. Initialed in pencil and numbered from the edition of 50 (plus 15 artist's proofs) Printed on Somerset Satin White. Proofed and printed by Terry Wils...
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    1980s Contemporary Figurative Prints

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  • Picasso's Meninas - Richard Hamilton, Aquatint, Pop Art, Contemporary Art, Print
    By Richard Hamilton
    Located in London, GB
    Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Pa...
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    1970s Pop Art Figurative Prints

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  • Sculptural Ideas 3
    By Henry Moore
    Located in London, GB
    Etching and aquatint on Fabriano paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the...
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    Original “Greece” vintage travel poster. Archivally linen backed and ready to frame. This is an original 1967 Greece vintage travel poste...
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  • (after) Robert Delaunay - La Femme et la Tour - Handsigned Lithograph
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  • Sonia Delaunay - Composition - Original Lithograph
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    Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
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